Wellington Live Music

Upgrading

2008-05-02T10:33:00.002+12:00

For those of you who still check back here on blogspot, I thought it time for an update on the site!

We're currently upgrading the website, so I apologise things have been a little slow lately. Work is in progress, and we are looking to launch the new site in July. We want to optimise it as a resource for the community, and we want to do it right, hence why it is taking a bit of time.

Things have been a little slow, but with work now well on the way I will be picking up the content and gig guide again, and stay tuned for some interviews for NZ Music Month!

Thanks for checking back, and stick with us - it's a process, but it'll be worth it!
Charlette Hannah (editor)

Maintenance

2008-01-09T18:28:00.001+13:00

Wellington Live Music website is undergoing maintenance and will be back and better than ever in February.

Thank you for your support in 2007, keep checking back for updates.

Happy new year from the team at Wellington Live Music!

REVIEW: Worn Villain

2007-09-28T19:42:00.000+12:00

WORN VILLAIN
VALVE
THURSDAY 27 SEPTEMBER
Words and Photo's by Charlette Hannah

Worn Villain totally rocked my socks off on Thursday night at Valve. From the very first song they had me hooked, with their pounding drums, and melodic, dynamic guitaring. On the second song the bass player put his bass down and took the mic. I was impressed that the band managed to keep the full tight sound even without the bass underneath. I got a bit frustrated with that song though - the primal screaming doesn't really do it for me, and I wish metal bands could be loud and sing powerfully without the screaming. Having said that, they do the screaming thing very well.

The music was unpredictable and very dynamic. The drums were forceful and solid, and the bassist and guitarist switched between instruments and vocals with equal fluency. According to a friend who is more familiar with this style of music than me, they sound like a mix between Shellac and early Metallica in their instrumentation.

I feel I have to make a note about Blair, the Valve sound engineer - again, proving himself to be one of the best around. Not only does he mix a wicked sound, at one point the bass player's strap came off, and as he knelt down to continue playing, Blair got up on stage and fixed it for him so he could stand up and resume the dual vocals. Credit to Worn Villain is due of course, for not pausing for even a second and letting up on their assault - the drummer threw away a stick, the bass player lost his strap, and you wouldn't have even noticed aurally.

All in all, the music was original and powerful. I loved it, and it's not even my usual kind of thing. Worn Villain appear to be a mostly instrumental band, which is unusual, but suited me fine, as I turned off a bit during the growling vocals. The last song was my favourite, it was powerful and absolutely beautiful in a slightly disconcerting way.

If you like quality heavy rock/metal, I would definitely recommend checking these guys out. I think if they brought in some more melodic vocals (ie. Tool, System of a Down) they could have a much broader appeal.

myspace.com/wornvillain

ALBUM REVIEW: Heads I Win, Tails You Lose

2007-09-28T14:53:00.000+12:00

HEADS I WIN, TAILS YOU LOSE
GOOD LAIKA
Words by Lucy Wyatt

Will the waves of beautiful music ever calm in Wellington? Listening to Good Laika’s debut album the answer has to be not likely. Heads I Win, Tails You Lose is a melancholy masterpiece. The warmth and honesty of these tracks are delivered like an old friend taking their seat next to you in your local, cozy drinking hole on a blustery Saturday afternoon. Their soulful, folky and heartfelt sound is fluid throughout the album. Fires, Keep Burning has a thoroughly laid back and mellow vibe, strumming along with a beautiful softness. The pace changes with Advertisement For A Pacemaker, the build up is deliberately moderated, not going too far, but fast enough for a good dance. Short, and remarkably sweet, Pretty Little Girl Of Mine mischievously rock and rolls along, vocals really ranging here with a sunny vibe, playing along together with the cheeky bass. The twinkle in this five-piece band’s eye took five years to capture, but why rush such a timeless and compelling sound.

REVIEW: Pisces

2007-09-28T12:54:00.000+12:00

PISCES
ACOUSTIC LOUNGE
SAN FRANCISCO BATHHOUSE
WEDNESDAY 26 SEPTEMBER
Words and Photo's by Charlette Hannah

Guitarist/singer Martin started the show with his back to the audience - a brave move. Picking the guitar strings, he then launched into a rich and interesting full band song. With Martin providing ample guitar instrumentation, and backing from a varied and competent rhythm section, Pisces were a great listen right from the start.

I have to admit that I couldn't find anything on the web about the band, so I don't know their full names, or the spellings of them. If anyone would like to help out with that information, it'd be much appreciated!

Backing singer Carly had a beautiful soulful voice, with a lovely trill and easy feeling to it. The tambourine got a little boring, but it did add another dimension to the percussion. She took the lead on a fantastic acoustic rock 'n roll number - Jimmy Jones I think it was called. It was great to hear the harmonies between her and Martin. She smiled the whole way through, nice to see someone really enjoying being on stage.

The upbeat pop/rock had slight country tones, and the performance was dynamic. The songs were instantly catchy, and with the laid back drumming, powerful guitar and great bass tones, Pisces were an entertaining and pleasant listen for a Wednesday evening.

REVIEW: OdESSA and The Thomas Oliver Band

2007-09-27T18:11:00.000+12:00

OdESSA
THE THOMAS OLIVER BAND
SAN FRANCISCO BATHHOUSE
FRIDAY 21 SEPTEMBER
Words by Peter Baillie
Photo's by Sheryn Simpson

Matt Pender

Paul Mouncey

Dan Ryland

Matthew 'Puba' Swain

The Thomas Oliver Band

Expectations were high on Friday night - after a long wait, OdESSA's much anticipated second album was ready for release and they wanted to celebrate it in style. A good portion of Wellington decided to join them.

OdESSA has become a local legend with their feverish, high-octane performances coupled with fantastic tunes and beats that you can't help but dance to. Their album 'The Prize' finally manages to capture the energy and polish of their live show in a studio album.

With so much expectation for the headliners, the Thomas Oliver Band took to the stage with no fanfare- not that stage fright is a problem for a young man who opened for Eric Clapton at the Mission Estate concert earlier this year!

It only took a minute for the crowd to get right into their performance, and each song ramped up the excitement from there. A three piece comprising Thomas (guitar and vocal), Steven (electric and upright bass) and Tom (drums), they made effortless changes through folk, pop, rock, soul, slow blues and country. Closing with the show-stopper 'All I Can Say', Thomas led the band through a medley of 'Cocaine' by JJ Cale and 'Ground On Down' by Ben Harper before snapping back to their own song to close the set. They left the stage to rapturous - and justified - applause, with many new fans.

OdESSA has played hundreds of shows in the last 5 years (I've been to almost all of them!) but obviously wanted to make this one special. Usually playing as a four-piece, they were joined this evening by a female vocalist, percussionist and keyboard player.

Concentrating on numbers from the new album, each band member excelled. Laying a ferocious beat that belies the scaled-down drumkit, Matthew 'Puba' Swain gave unstoppable groove to each number. Paul Mouncey on bass laid down fantastic lines that complemented everyone else's performance, and blew the crowd away with a bass solo that most guitarists wouldn't have a hope of replicating. Dan Ryland, the new guitarist, threw off melodic lead breaks and gentle acoustic numbers with equal ease.

Above all, Matt Pender, the ultimate frontman, blessed with athletic dancing, a fantastic voice and unbreakable stage presence. His dancing turned the crowd into a wild, sweaty yet good-natured mosh pit. The crowd danced, jumped, clapped, sang and yelled for more.

This was undoubtedly one of the most enjoyable gigs I've been to, and it's a wonderful thing that two bands should have the courage to play a wide variety of styles and be so warmly received by everyone present. Out of five stars, this gig gets a Milky Way.

REVIEW: OdESSA

2007-09-27T16:37:00.000+12:00

OdESSA
SAN FRANCISCO BATHHOUSE
FRIDAY 21 SEPTEMBER
Words by Lucy Wyatt

Sensational, captivating and hugely entertaining were amongst the words that sprung to mind as OdESSA left the stage at The San Francisco Bathouse last Friday night. Promoting their second album, The Prize, this band really knows how to put on a bloody good show. Pender is a star, totally at home on the stage. A talent that it can be argued, you are only born with. He’s definitely up there with the best of them, and with a sound that both elates and physically moves you; it looks like OdESSA’s prize is a winner. The crowd were certainly hungry to hear their fresh sound.

The tracks from the new album were welcomed enthusiastically, matching the crowds dancing. It was busy, but not too busy to prevent you from expressing your desire to dance to such new delights as Bleeder, an obvious future anthem. Vastly fused music, hitting on such diversity as the blues, rock and funky-pop, it’s extremely inspiring to hear and watch. Expressing their personalities; two donning suits, one in a T and one in a shirt, their infectious energy bursts off the stage onto the dance floor. The glitter balls should have been spinning as the crowd got deeply immersed in the groove.

Pulling the old and faithful out of the bag, Promises Promises, proved that Ryland, the latest member, has totally found his feet within the band, his guitar work smooth and confident. Is That You Calling, heard the drumbeat revving up the pace, getting the crowd jumping around. The lyrics always unveil a depth within the band’s heart. The formula is positively sealed; take a charismatic, animated front man, add 3 fellow talented musicians and finish off with beautifully written and produced tracks. As Pender says, they are a “classic band” and for sure this was a classically, dazzling performance.

www.myspace.com/odessamusic

REVIEW: Changeling

2007-09-25T23:49:00.000+12:00

CHANGELING
THE ADELAIDE
FRIDAY 21 SEPTEMBER
Words by Charlette Hannah
Photo's by Matt Walsh

Not many bands these days seem to have the guts to begin a set with a blistering guitar solo before moving into a song. However, newcomers Changeling did just that, bringing to mind great instrumental bands such as Led Zeppelin. For a debut gig, this three-piece had a helluva stage presence, and quite a unique sound in these times dominated by indie pop/rock. Not to say I don't like indie pop/rock, because I do, but it's nice to have a change. I kind of think they would fit in well with those late 70's bands - Led Zeppelin, Cream and the like.

With Julian van der Krogt's blues/rock riffs, solid and interesting bass from Jamie Hughes, and hard hitting drums from Hans Weston, Changeling are a forceful live act. Julian was singing live on stage for the first time - there were a few shaky notes, but overall I was more than impressed with his rich deep voice.

Like any new act, they do need a bit of polishing and tightening up, the sound was slightly messy, but they have the raw energy and quality of songs that make a great live band. They were well received by the crowd with whoops from the audience, and a patron even singing a riff after they finished playing. I think we can expect a lot more to come from these guys.

myspace.com/changelingband

GIGS: 27 September - 3 October

2007-09-25T09:19:00.000+12:00

THURSDAY 27 SEPTEMBER

- Sandwiches
Clubtronika.

- Valve
Infrared, Changeling, Worn Villain, Moana Ete and The Chaperones. 9pm $5.

- The Adelaide
The Riff Rats, Waste Management, Richard and The Hadlees. 8pm.

- Happy
Music and Artists Social Club
Nomadic Snails, Knife Party, Ningizzida, Nine Signals. 8pm $5.

- Havana
Swiss Mistress.

FRIDAY 28 SEPTEMBER

- The Adelaide
Knife Fight, The Wrongdoings, The Windup, Heavy Turkey. 10pm $5.

- San Francisco Bathhouse
NZ Red Cross - A Concert For Darfur
Rhythm African Band, Sam Manzanza, The Pleasures, Darren Watson Blues Band, Olmecha Supreme, Batucada Sound Machine, Jonathan Crayford, Myele Manzanza, UHP. Tickets $10 presales from Red Cross, $15 on the door.

- Sandwiches
Samurai Music - Geoff Presha.

- Bar Bodega
The Situations.

- Happy
The Bitter Brothers.

SATURDAY 29 SEPTEMBER

- Sandwiches
Aural Trash, Greg Churchill, Angela Fisken.

- The Adelaide
Liquid Lounge.

- Happy
Malevolence, Black Boned Angel, Skuldom. 8pm $10.

- Wesley Centre (Taranaki St)
Craftwerk, Little Pictures, Kitten Et Me, End Of The Day Faery, Seth & Merle Feat. The Acid Test. 5 - 9pm Free.

- Havana
Sons of Puha.

- Valve
Nort, Scoria, Gunt, El Schlong. 10pm $5.

- Old Studio 9

Take Down Lucy, The Lucky Strikes, MissGuided Youth, The Philosophers. 7.30pm All Ages $5.

- Bar Bodega
The Gin Club, The Shot Band, Little Bob.

- Subnine
Twisted? 10pm Tickets $15 presales from Cosmic Corner and Real Groovy, $20 on the door.

SUNDAY 30 SEPTEMBER

- The Matterhorn
The Skins, Money-D, The Yeabsley Key, Lisa Tomlins. 8:30pm.

MONDAY 1 OCTOBER

Are YOU playing in Wellington? Remember to send your gig listings through to charlette (at) wellingtonlivemusic.com by Monday to have them listed here.

TUESDAY 2 OCTOBER

- Bar Bodega
Beats and Bubbles

WEDNESDAY 3 OCTOBER

- The Paramount
Tim Beals and Rosy Tin Teacaddy. 8.30pm Gold coin entry.

- San Francisco Bathhouse
Acoustic Lounge. 6 - 8pm Free.

REVIEW: Infrared

2007-09-24T19:39:00.000+12:00

INFRARED
THE ADELAIDE
FRIDAY 21 SEPTEMBER
Words by Jim Kyak Jr
Photos by Hans Weston

If you could make it through the doors of the Adelaide last Friday night and bare the intense fire of noise created by Infrared, then you might have noticed this was their EP release, and they weren’t going let you get out of the joint without knowing about it.

Steve Davey (vocals & bass), Carl Green (guitar), and Ben Payne (drums) unleashed a 100% proof concoction of visceral high energy rock/punk. Steve has some strong pipes inside him and is matched well by Carl’s creative wall of sound guitar playing and Ben’s tight and energetic drumming.

Only slight quibble is that the sound level could have come down a notch so that I didn’t get waxy fingers, but that said, music like this is meant to be loud. Infrared aren’t background music. This was a tight and energetic set by the Wellington three-some and I strongly recommend you catch them around town on one of their many local EP tour dates.

myspace.com/infraredmusic

REVIEW: White Night

2007-09-23T15:21:00.000+12:00

WHITE NIGHT
THE ADELAIDE
FRIDAY 21 SEPTEMBER
Words and Photo's by Charlette Hannah

It was a night of hard rock at The Adelaide on Friday night, and for me, the standout performance came from White Night. From the first upbeat ska-like rock song, with the singer Mat Lear throwing himself round the stage, their energy was infectious, and the music followed suit.

White Night's tight beats were overlaid Mat's smooth, powerful vocals. Mat has a great voice, one of the best male vocals I've heard for a while. Each band member really moved with the song. Mark Traveller's sometime pounding, sometimes tricky drum beats were perfectly complemented by Steve Hitchcock on the bass. With guitar coming from Mat and Dave Ralph, White Night have a wicked live sound.

The dynamics were loud without being obnoxiously overdriven, and pulled back without losing the flow. The songs were catchy, and reminded me somewhat of Sublime, but rockier. I'm already addicted to their songs 620 and Rainman (on their myspace).

REVIEW: Achilles Botes

2007-09-22T13:25:00.000+12:00

ACHILLES BOTES
THE MIGHTY MIGHTY
THURSDAY 20 SEPTEMBER
Words and Photo by Charlette Hannah

It's only the second time I've seen Achilles Botes perform live, but his songs seem familiar already. He's definitely one of the more interesting solo acts, with his loop and various other pedals, slide and layered rhythms.

Achilles has a tuneful voice with a bit of a rock edge, and his songs are very catchy. He ranges from melodious folk to upbeat rock. He even threw in a Greek song.

The word that springs to mind when thinking about his song is earnest. Not a 'nice try dear' kind of earnest, but an open, honest, sincere kind of authenticity. It's a pleasure to watch.

Visit myspace.com/achillesbotes
Earlier review

REVIEW: White Swan Black Swan

2007-09-22T12:20:00.000+12:00

WHITE SWAN BLACK SWAN
THE MIGHTY MIGHTY
THURSDAY 20 SEPTEMBER
Words and Photo's by Charlette Hannah

Sonya Waters

Ben Howe

With ethereal guitar and melodious, driving piano, the indie/country duo of White Swan Black Swan were a real treat to the ears on Thursday night. Singer Sonya Waters started off the set with her beautiful Cyndi Lauper-like voice - mature and powerful, yet with a slight childish lilt.

The songs had lovely circular melodies, with gently epic guitar playing, and with the piano as driving instrument, it made a nice contrast to the standard guitar focused rock.

Sonya and Ben Howe switched lead vocals - Sonya's songs were White Swan and Ben's Black Swan. Ben also had great voice, although not quite as standout as Sonja's. It was nice to have the variety in the lead vocals, as well as hear their occasional harmonies. At one point Sonja played a song with a lovely French feel with Ben providing some percussion.

It was over too soon - I hope they come back to Wellington with the full band before too long.

REVIEW: Tim Beveridge

2007-09-15T23:35:00.000+12:00

TIM BEVERIDGE with
RUSS GARCIA
THE OPERA HOUSE
SATURDAY 15 SEPTEMBER
Words by Charlette Hannah

It was an unusual music experience for me this Saturday. My neighbour popped over at four in the afternoon with some tickets for Tim Beveridge, saying she'd had one beer too many, and didn't quite feel up to it. So they were mine. For someone who is used to standing up, loud talking, sometimes dodgy sound systems, and a wide range of professionalism, it was actually rather nice to dress up a little and join the baby boomers for a seated, orchestrated concert.

Tim Beveridge is a pretty average looking guy, but wow can he sing. It's no wonder the legendary Russ Garcia came out of semi-retirement to work with him. Russ credited 'my music, and beautiful young Italian wife' for still being on stage at the age of 91. Ninety-one! It was cool to be part of the audience for a man who has worked with artists such as Ella Fitzgerald and Louis Armstrong.

The instrumentation and singing was, of course, flawless. Tim seemed a little wooden in the first half, but relaxed and improved dramatically in the second half. His humourous side came out when performing a Tom Lehrer song 'When You Are Old and Grey', as well as a satire of the Catholic Church. As well as performing many great classics, such as New York, New York, The Lady Is A Tramp and Bad Leroy Brown, he quite amusingly did the Loveboat theme.

Guest singer Sarah Bradley from Good Morning was slightly less impressive vocally, although she does have a lovely voice. But she has one helluva sassy attitude and is a great performer. The duets of Summertime and When I Fall In Love were a high point of the show.

The backing Neophonic Orchestra were superb, both as a whole, and as individual soloists.

It was a lovely evening, although I did find myself longing for rock in a bar by the end!

REVIEW: Timothy Blackman

2007-09-15T17:02:00.000+12:00

TIMOTHY BLACKMAN
HAPPY BAR
FRIDAY 14 SEPTEMBER
Words and Photo by Charlette Hannah

Arriving from Auckland just in time for his gig with Matthew Holleman, ex-Wellingtonian Timothy Blackman strode up on stage with his strapping frame and small guitar, and proceeded to tune with a pitch pipe. I decided I liked him. Sometimes people get so bogged down with fancy equipment and the professional image that it takes someone like Tim to come along and remind us what it's about. Which is music of course. But it's also about having fun and connecting with people, and this is something Tim does pretty darn well.

It wasn't a case of non-stop banter, but I still got an impression of strong humour, and someone who was there to have fun rather than sell CD's. Some of the guitaring was pretty simple, but it was more than made up for by his powerful voice. Vocal delivery was interesting; after one unusual song he admitted "got a bit silly there". Tim is certainly not your standard singer/songwriter.

All in all, it was tuneful and interesting, and a pleasure to watch.

Visit myspace.com/timothyblackman

WELLINGTON'S PARTY OF THE YEAR

2007-09-14T17:18:00.001+12:00

EP REVIEW: Barefoot In The Sand

2007-09-13T11:01:00.000+12:00

BAREFOOT IN THE SAND EP
Words by Charlette Hannah

Inside This Room begins the self titled EP from Barefoot In The Sand. Starting with a funky drum beat, this upbeat and catchy song is a good introduction to the Barefoot sound. From the rich deep vocals of lead singer Jenn Shelton to the creative yet unobtrusive guitar of Blair Pedersen, these guys have a tight sound which retains a live feeling on this recording.

Recorded, mixed and mastered in twelve hours at Wellington MusicWorks, this EP is full of harmonies and every song has it's own solid groove. Eye On The Lead, the second song, was stuck in my head for hours. With upbeat reggae and funk flavours, this is the ideal sort of music to stick on your car stereo on the way to the beach.

The songs are allowed to breathe, with spacious production, and each part is crystal clear. Track five, With You, is a more mellow, thoughtful song, and continues to showcase Jenn Shelton's amazing voice. Selfish, track three, demonstrates Hamish Maude's soulful and funky bass playing, while drummer Jeremy Hantler remains solid all the way through, although my favourite drum part has to be the first song. I'm a sucker for those toms.

With six tracks altogether, the Barefoot In The Sand EP is a catchy, accessible and smooth listen.
Visit myspace.com/barefootband.

GIGS: 13 - 19 September

2007-09-11T21:04:00.000+12:00

THURSDAY 13 SEPTEMBER

- The Adelaide
Nine Signals, Sleepy Demons, Vorn. Gold Coin entry, doors 8pm, start 9.30pm.

- Sandwiches
The Versionaries.

- Happy
Fantasy Donaldson.

- Havana
Otis.

- San Francisco Bathhouse
Furious Lovers - Hip Hop Karaoke.

FRIDAY 14 SEPTEMBER

- Old Studio 9
Infrared, Worn Villian, Riverblind, MissGuided Youth. 7.30pm $5 All Ages.

- Sandwiches
Future Funk 2007 Part 2
State Of Mind, JMC, Sal, DDog. 11pm $20 presales and on door.

- The Mighty Mighty
The Unscene, Alphabeathead, Tommy Ill.

- Zeal
The War Within. All Ages.

- Happy
Timothy Blackman, Matthew Holleman. 7.30 - 9.30.

- Lembas Cafe
Splash (Michelle Scullion, David Leith and Eoin Williams). 7.30 - 10.30pm $10.

SATURDAY 15 SEPTEMBER

- Bodega
A Low Hum presents
Craftwerk Pre Party, Thought Creature, Get Set Play, Little Pictures, Snowfield, The Enright House. 9pm $10.

- Old Studio 9
DJ Shan. All Ages.

- The Adelaide
DonkeyPunk, Alison Lake, Nine Signals. 9pm $10.

- Sandwiches
Inland Knights.

- Happy
Dial, Cut Off Yours Hands, Colonel Mustard.

- The Matterhorn
Ginger Brown. 12am free.

- Havana
Bad Girl Brown.

- Subnine
Crank. 10pm - 6am $20.

- San Francisco Bathhouse
Atomic.

SUNDAY 16 SEPTEMBER

- The Matterhorn
The Skins, Money-D, The Yeabsley Key, Lisa Tomlins. 8.30pm.

MONDAY 17 SEPTEMBER

Are YOU playing in Wellington? Remember to send your gig listings through to charlette (at) wellingtonlivemusic.com by Monday to have them listed here.

TUESDAY 18 SEPTEMBER

- Havana
Roberto Rodriguez.

- Bodega
Beats and Bubbles.

WEDNESDAY 19 SEPTEMBER

- The Mighty Mighty
Barry Saunders, Samuel Flynn Scott, Julia Deans.

REVIEW: Cornerstone Roots

2007-09-11T08:59:00.000+12:00

CORNERSTONE ROOTS
SAN FRANCISCO BATHHOUSE
FRIDAY 7TH SEPTEMBER
Words by Lucy Wyatt

The vibe was right and the crowd were perfectly warmed up by The Midnights’ reggae fusion - enjoying the tight ska and jazzy shake up. Clearly another great night was in store for the San Francisco Bathhouse. Cornerstone Roots took to the stage with great presence, ready to educate the crowd with the delights from their new album Free Yourself. With the addition of 2 soulful backing singers, the masters of reggae roots were emulating a friendly and positive buzz. The dance floor wasn’t packed out, allowing those there to express themselves without restriction. Like the new album the audience could really free themselves - always nice with such mellow and skanking music.

Each song projecting messages on a political, environmental and spiritual tip - the fresh songs were met with approval and respect. Tracks such as Forward Movement, have an uplifting vibe with funky keys, keeping the crowd happy. Home offers an upbeat ska vibe, enticing the crowd to bounce along. Steppers’ atmospheric, dubby instrumental jamming, got plenty of heads nodding along to the immersed bass and echoing effect. The old favourites from the widely embraced album Soul Revolution, went down a treat. Soundsplash was met with sunny smiles, encouraging it’s dub undercurrent. The catchy lyrics in Lovers got everyone moving – mashing up the dance floor, horns blazing.

Such honest music produces a really honest crowd. No frills, no pretence - just there to groove with a smile fixed on your face. With a bluesy air, this is really a sophisticated fusion of reggae roots, bound together by their charismatic front man Brian McMillan. The depth and warmth of Cornerstone Roots’ second album demonstrates that they are seriously here to stay - a solid, grounding band. Spreading their sound globally, already being recognised in Australia, Japan, USA and Brazil, with this amount of spirit it’s going to be a positive journey ahead. Here’s to Cornerstone Roots’ getting the worldwide respect they deserve.

INTERVIEW: Robin Hinkley

2007-09-06T13:42:00.000+12:00

Good Laika have just released their debut album, Heads I Win, Tails You Lose. Singer Robin Hinkley talks to Charlette Hannah the day before their album release.

Charlette Hannah: You’re releasing your debut album this week – how does it feel to have reached that milestone?

Robin Hinkley: We’re not quite there yet. It’s Thursday, and we haven’t quite made it to Thursday yet. I’m really excited about it. We were talking about how we felt it was our birthday or wedding or something. We’ve been working towards it for such a long time. It’s been really busy, that’s all I can say about it. It doesn’t seem quite real yet.

CH: Who did you work with on the recording and production?

RH: We recorded it at Nick McGowan’s studio in Island Bay, Island Bay Studio’s. We went into the studio to record a song for a video, because someone offered to make a video for us, but we had no recordings for it. So we set the whole thing up so we could record it, and we tried recording three songs, but we thought we’re going into a studio, might as well record an album. That felt really cool, it felt cool not planning it in-depth before we went into the studio. We spent about two to three days actually recording. We all played together, quite a live kind of feel. So yeah, he did a good job of it, the mixing of it, and we had it mastered by Mike Gibson at Trident Studio’s.

CH: Good Laika have been together for a number of years now, why has it taken this long to put out your first release?

RH: Good question. I think part of the reason is that we’ve all been doing other things. I’m a teacher, Matthew’s a teacher of music, so is Ricky, Ricky’s had his other musical projects like the Boomshack band, Nic Marshall’s just one of the busiest people I’ve ever met, and Jason Fa’afoi is always out of town. So it’s been quite hard for us to find the time to get together. Also, at the beginning, when we first got together, which was probably about 5 years ago, embarrassingly, we kind of lacked a bit of impetus, we didn’t quite gel, I think. The thing that kind of kicked us into action, started something new for us, was when we made a trip to Waitare beach, and we spent a weekend playing and drinking wine by the beach, and it was just a magical time for us.

CH: How did the band come together, how did you all find each other?

RH: It was Ricky, the drummer, who really started things. I didn’t really know him very well, played a bit of indoor soccer with him, and he had seen my other band play a couple of times, and he was keen to do some songs and music with me. So he approached me and said do you want to do some music, I’ve got some other friends who’d be keen to do music with. Jason was the next person he approached, as he’d worked with Jason on What Now in Christchurch. So we played together. I think Jason knew Nic Marshall, and it just kind of grew from there. But yeah, it was Ricky who started it all, and he wanted to get more into songwriting as well, which drummers are not usually inclined to do.

CH: Who writes the songs in the band? Is it a communal effort?

RH: It’s quite a shared thing, yeah. On this album Jason’s written a couple of songs and I’ve worked with Ricky on a couple and written some of my own. So it all kind of evolved. And even if one of us brings a song which is complete, we usually draft it together, which keeps us all interested I guess.

CH: So where does the album name, Heads I Win, Tails You Lose come from?

RH: It’s a phrase that stuck in my mind actually, and it seems to sum up one aspect of the album. It sounds kind of jovial and fairly happy and throwaway, but when you think about the meaning of it it’s got this sinister or melancholic undertone. It was quite hard working out what the album felt like, where it was coming from. ‘Cause parts of it seem warm and friendly and cosy, and other parts seems kind of a bit eerie.

CH: Have you played many gigs?

RH: No, that’s the thing, we’ve played probably about five times now, live. Our first gig was something with Blink, The Low Hum guy, he set up an acoustic, sort of stripped back live show with a few bands, so we played with that first. We recorded with a friend of Ricky’s, but we’ve left those recordings behind a bit. It’s only started happening in terms of live performances in the last few months really.

CH: Any plans for a tour?

RH: Yeah. Because we’re all working, we have to call going away for a few weekends in a row a tour. We’re going up to Auckland early next month and then the following weekend we’re going down to Christchurch and Dunedin.

CH: How has being a Wellington band shaped your sound and career?

RH: That’s a hard one to answer, because I’ve never been in an Auckland band or a Christchurch band or Dunedin band. The different bands that we’ve interacted with, the musicians we’ve bumped into have influenced us. Bands like The Phoenix Foundation have been very supportive of us, and Age Pryor as well. It does feel like there’s a bit of a community that have sort of helped us, and also influenced us musically as well.

CH: What’s in the future for Good Laika?

RH: Well. We’re gonna play a whole lot more I think. We’ve already started talking about what our next recording’s going to be. But we need to not jump too far ahead, we need to give this album it’s dues. We’d really like as many people to hear this as possible, because we think it’s worth hearing.

CH: Do you plan to go international?

RH: We’re trying to keep things organic. The whole intent behind our recordings was to have us all play together, having it all feel right, and anything that happens in terms of who hears our music and where we go as a band hopefully will happen in that same way so that it grows from something real, and we’re not going to try and throw ourselves out there without having grown locally first.

myspace.com/goodlaika

(Photo by Rosie Morgan)

GIGS: 6 - 12 September

2007-09-05T13:56:00.000+12:00

THURSDAY 6 SEPTEMBER

- Valve
Smelter, Fanucman, This Charming Mystery. Doors 9pm, start 9.45pm $5.

FRIDAY 7 SEPTEMBER

- San Francisco Bathhouse
Cornerstone Roots. $20 presales $25 on the night.

- Old Studio 9
Cross Eyed Mary, Far From Fiction, SDR. 7.30pm $5 All Ages.

- Bodega
Jaggedy Ann, Slipping Tongue.

- The Adelaide
Urbantramper and 10,000 Times Glorious.

- Happy
The Dilettantes, Rocket To The Moon + guests. $5.

SATURDAY 8 SEPTEMBER

- The Adelaide
The Strolling Bones.

- Happy
The Septembers, Bonanza. 9pm $10.

- Valve
Kitsch, Cobra Khan, Strangers.

- Bluenote Bar
The Dilettantes, The Postures, Disco Skull. $5

- The Mighty Mighty
Phony Bone, Tommy Ill, Peneloping, The Wicks. Doors 8pm, start 9pm $10.

- Old Studio 9
The Philosophers, The Pinkertons, Far From Fiction. Doors 7. 30 $5 All Ages.

SUNDAY 9 SEPTEMBER

- Old Studio 9

Acoustic Afternoon -all musicians and poets welcome. 2pm - 5pm All Ages $5 non performers.

MONDAY 10 SEPTEMBER

- San Francisco Bathhouse
Napalm Death, Backyard Burial, Dial, Graymalkin. $53 presales from Ticketek 7.30pm R18.

TUESDAY 11 SEPTEMBER

- Havana
Carlos Navarette.

WEDNESDAY 12 SEPTEMBER

- San Francisco Bathhouse
Acoustic Lounge. 6pm - 8pm free.

- Happy
Noel Meeks.

Are YOU playing in Wellington? Remember to send your gig listings through to charlette (at) wellingtonlivemusic.com by Monday to have them listed here.

INTERVIEW: Flip Grater

2007-09-04T10:20:00.000+12:00

In 2006, Flip Grater released her debut album Cage For A Song, under her own record label, Maiden NZ. As part of her solo release tour, she gathered recipes from friends, venues, and audience members all over the country, and compiled them along with a tour diary. The Cookbook Tour is a charming and interesting book, filled with simple recipes, and Flip is currently touring to promote the release of the book. Playing at The Mighty Mighty in Wellington, she caught up with Charlette Hannah for a chat before the gig.

Charlette Hannah: Did you know you would write the cookbook before you did the Cage For A Song tour?

Flip Grater: Yes, absolutely. I knew about it before I put the album out. The idea for the tour came about I think in June or July last year, 2006, whilst my album was in production. And I knew it was going to be coming out in August, knew I was going to be touring in August for the album, and I just wanted to find an interesting way to do that tour. It wasn’t just another album tour. And that’s what we came up with.

CH: Did it make the tour more enjoyable having to talk to people to acquire recipes, or would you have done that anyway?

FG: It definitely made it more interesting. I purposely went on the tour by myself because that’s when you end up talking to more people. You stick to your comfort zone a bit when you’re traveling with others. And that was the whole point of it, adventures and meeting people. Everyone loves talking about food. I think it’s quite a common thing, people really do want to talk to strangers and meet new people. Especially if they’ve gone to see you at a gig, then they are open enough to want to meet people. But often there’s no reason to, there’s no talking point to start a conversation. Doing something like this gives everybody the perfect excuse to talk to you.

CH: Is there a particular plan for this tour, or will you just talk about the book?

FG: Yeah, it could be endless, people have joked about that! Collecting recipes on the book launch tour, and write another book about that… but I think I’d like to move on to some similar but slightly different idea’s to do with publications.

CH: Have you always been a writer?

FG: I don’t know how to answer that. I could be a total wanker and say everybody’s always everything… I was born a musician, I was born a writer. But the reality is that we are ever changing and our existence is as well, and it’s not really who I am, it’s just something I do. It’s not even really something I do, I just did it once, I wrote a book. I wrote this book and I may do it again sometime. I don’t know, I don’t think an author is who I am, I don’t think a musician is who I am. But maybe that’s a bit deeper than we need to go.

CH: What do you think of yourself as?

FG: I don’t know, I guess that’s ever changing as well. I’m passionate. I guess people describe me as driven, but that just makes me think everyone is lazy. ‘Cause it’s a shame there’s a word to describe that, as if that’s a weird thing. I’m starting to ramble now, but I like to be busy, that’s all.

CH: Are all the recipes vegan?

FG: No, the majority of them are, accidentally, vegan, or possibly vegan if you omit certain ingredients. I’ve tried to list those options for people who can’t figure it out for themselves. They’re all vegetarian.

CH: Would you do a solo tour again? Are you doing a solo tour?

FG: I am yeah. I didn’t mean to. As I say, the first time it was on purpose because I wanted to have adventures. The funny thing is I’m doing the same trip almost. I’m not going to all the same spots, I’m going to a few less places. But I’m traveling alone, I’m traveling in Lada. My boyfriend was going to come on this trip but he decided to go skiing instead, so now I’m solo traveling again. The problem with that is that last time, part of the reason for traveling by myself was not just to meet people, but also to have all sorts of misadventures and have to find ways out of them. And it was pretty uneventful in that way, I had a pretty sweet time. The car went really well and everything sort of worked. But this trip has turned out to be crazy. My PA broke, and my car battery went dead, and my windscreen broke and I got really sick, and it’s just been crazy. I actually really wish I had someone on this trip with me, but that’s how it goes, and sometimes it’s for the best. I do like traveling by myself.

CH: So you still have Lada obviously? A pretty important character…

FG: Oh yeah, a very important character! The book would be nothing without her! As I say she’s needed some work on this tour. I think she’s getting a bit tired.

CH: Are you happy with how many albums you’ve sold so far?

FG: Yeah, it’s sold quite a few for an independent release so I am really happy. If I could sell as many books as I’ve sold CD’s I’d be happy as.

CH: Any plans for a new album soon?

FG: Yeah, as soon as I get back from the tour I’m going to start recording for the next record. I’ve got some new songs, and a couple of really new ones that I wrote last week. I’ve kind of been doing this business-y stuff for ages and the songwriting brain gets switched off. So I’m quite keen to get back into it, and I’m going to get straight back into the recording studio when I get back.

CH: So you’ll put that out next year?

FG: Yeah, next year. I don’t know if I should just keep doing the same sort of thing over and over. What I’d really like to do is an international cookbook tour, I just need the funding for it. That’d be pretty amazing.

CH: So why did you set up your own record label?

FG: I always wanted to do that, and I thought, there’s no good reason not to. As I say, I like to be busy. But putting out my own record, even though it was a good idea at the time for learning a lot, I’m starting to think that doing your own publicity isn’t the best idea. It’s possible to do it, but it’s just really emotionally exhausting, ‘cause you get really invested in your product. Anytime someone says no to doing a story on it, it feels like a personal rejection. That wears you down quite a lot, because even if 50 people say yes, one person says no and it has much more power. And the thing is, you really need to positive about what you put out there and you can’t let those things wear your enthusiasm down. So I’m starting to think that doing your own publicity is not the best idea. I’ll only do other people’s publicity in future I’ve decided. Having a record label is going to be fun and fantastic for doing other people’s records, but I’m not sure about my own anymore.

CH: Have you got other artists on the label already?

FG: Urbantramper. We’ve just put out an Urbantramper CD this month. It’s such a beautiful record, I love it. I love it so much. That’s the kind of thing I’d like to do, help other artists get into shops and things like that.

CH: Do you have a day job or are you a full time musician/record label owner?

FG: Full time music, yeah. Full time music related things. I do a bit of work for Rockquest, I do some judging for Rockquest, I do mentoring for NZMIC and then I do the record label and I do my projects, and I do a bit of production for music videos.

CH: How did you get involved in Rockquest and mentoring?

FG: Just over the years, getting involved in things, one thing leads to another.

CH: What advice would you have for other NZ artists?

FG: Don’t compromise what you’re doing. Just find the right people who are enthusiastic about it.

CH: What do you think has really helped you get where you are now?

FG: Friends, support networks, good relationships with people in general. I really think that’s the most important thing in life. I think if you can get that happening in your life then it automatically helps your career in whatever you’re doing, especially in music.

REVIEW/INTERVIEW: Good Laika

2007-09-02T20:06:00.000+12:00

GOOD LAIKA
THE MIGHTY MIGHTY
THURSDAY 30 AUGUST
Words and Photo's by Rosie Morgan

On Thursday night, I was fortunate enough to attend the over-crowded, and inspiring show for Good Laika's debut album release (Heads I Win, Tails You Lose) at the Mighty Mighty. Due to work restraints, I missed Age Pryor who started the show, but arrived just in time for Good Laika's set. The band all looked a little nervous, but were excited about the new stage the Mighty Mighty had put in, and firmly reinforced the fact that there would be no encores as they were all very tired, which is a shame really, because Good Laika are one of those bands you could sit and listen to for hours, and not get sick of.

I was very impressed with the music, the relaxed atmosphere, and the friendliness of the band welcomed you into the set, and invited you to get carried along into the Good Laika sound. One look at these guys, and you just know they deserve to be a success.

After the show, I interviewed Ricky Boyd (drums).

ON NZ Music vs International:

"Nz's definitely pushing boundaries. I mean, we've got the Mint Chicks, the Pheonix Foundation... its all happening. Our resources though are more 60's, 70's. We know {nz music} is there, but we're more like ostriches, keeping our heads underground and see what we like".

RB says they're more into soaking up "old history", that their music is ethics based, and that they play with emotion and feeling. They use it in their approach to each individual instrument. "Our past present and future are elemental", he says.

And it sure shows. Robin Hinkley's vocals are just one example of the way GL do this. He has a voice that carries far above the vocal melody, far above all the other intrumentation, that carries far. You just know he's singing from the heart, and as soppy as that sounds, I think the sure sign of a a good musician is the ability to express heart and soul and effect the audience. In Tooth and Nail, he sings "I know you're tired" repeatedly, and the audience were swaying, captivated. When you combine RH's voice in harmony with the backup vocals of Jason Faafoi, you have this effect maximized.

Jason also has the same gorgeous, soulful quality to his voice that RH does, but with a little more of an Island Twist. During the Mighty Mighty set, he dedicated a song that he wrote (Coming Home) to his "island sister", who was getting teary as he sang it. This song was a gorgeous island/calypso/melodic tune, that fitted so nicely with the rest of the set, and again, there was much swaying along.

On Keeping off the Radar until now:

They've actually been together for around 4 years, but all of the members have been involved with solo projects, or other bands... for example OdESSA, Boomshack, TV Acting... to name the few obvious ones.

Ricky's' also been involved with drum lessons at various schools and jazz groups, so its a wonder how they even find the time to practice, let alone perform.

Its really only been the last year they're all been able to commit 100% - and, more impressively, only the last 2/3 months that they've recorded, promoted, and released thier Debut- Heads I Win, Tails You Lose, available in stores from 3rd September, if you weren't lucky enough to snatch up one at the show.

On their Overall Sound:

"I'd say... soulful. Its like the ethics of trying to get the best out of a song without being egotistical. So, ego-free. I suppose its truthful" - RB says, and I agree. Everything they play, everything they sing, they're in a moment, and they're reaching out to you.

Aside from the vocals, which embody the soulful element, you also have the talented Nic Marshall on the keys, carrying away the melody, giving it all a dreamy feel, and Matthew Armitage on bass, adding his own spin on calypso rhythm with unique bass lines that compliment all the other elements of the band.

With a band like this, sometimes its easy to forget drums and leave them out all together, but Ricky's skill as a drummer shows in that he can integrate various types of drumming into the band easily, that elevates the music to a new level.

What's on your iPod at the moment?

"Obviously we listen to a lot of Calypso music, thats a major influence". He also listens to TV on the Radio, Grizzly Bear, Air and Beck quite alot at the moment.

If you could tour with anyone, who would it be?

"I suppose I should keep it kiwi, but i'll say Air, Beck, or maybe Belle and Sebastian"

Whats your vision for the bands future?

A World Tour, of course! But a relaxed tour. "To enjoy each others company. I'd like to tour the world and keep that relaxed, friendly aspect.... we're an eclectic, slow band, so a slow tour would be best. We're all friends, so, whatever we do, we're going to have fun." And because of that aspect, he says its also one of those projects that they could leave for a year and return to, with no major issues.

This was shown in the Mighty Mighty show also. There was a lot of joking, a lot of laughing, and a lot of Robin telling the audience off for complimenting Matthew on his shirt, and not complimenting anyone else. "If you're going to compliment him, you have to be nice to the rest of us!!!". I hasten to say the show was "comfortable", but you felt welcomed, you felt at home with the music. Often it felt more like a home gig or (albeit amazingly brilliant) jam session. So it was a friendly relaxed atmosphere, and I think the band should be pleased with that.

Hopes for Heads I Win, Tails You Lose

"We're not trying to push it too far, we're trying to be ourselves", RB says. Promotion and business come 2nd. While of course they do want the album to be a success, he says "its like the first photo of a series yet to be finished".

This is the album of (hopefully!) many more, so its a snapshot of where Good Laika are at now. RB - "We're constantly moving forward and changing, so who knows when the next photo will be."

(Heads I Win, Tails You Lose is available in stores from Monday 3rd Sept. Hit the boys up on their myspace if you've never heard of them- you won't be dissappointed - I'm glad "Midnight" is up there!. myspace.com/goodlaika )

ED's note: Interview with Robin Hinkley posted next week.

REVIEW: Johnny Corker

2007-08-31T17:23:00.000+12:00

JOHNNY CORKER
HAPPY BAR
THURSDAY 23 AUGUST
Words and Photo's by Charlette Hannah

It was a real family affair at Happy on Thursday, with Tim Beals and his sister Holly, and then Johnny Corker performing with his partner Julie Thompson. It’s always interesting to see the way solo or duo acts create dynamics, and Johnny and Julie did it in an unusual way, with Julie playing a cello as the second instrument.

Sometimes plucking the strings as a bass line, and sometimes playing it with a bow, creating a melancholic monotone, Julie complemented Johnny’s confident and smooth folky voice and guitar playing. Johnny used his new tremolo pedal often and to good effect.

Julie’s voice probably wouldn’t be strong enough to lead, although she could have been holding back, but it was lovely for backing vocals. The music was almost too soft and sweet at times, but so charming and easy to listen to.

They moved on to some more upbeat songs later in the set, and Johnny’s gentle humour pervaded the whole performance. They were down from Auckland for the Wellington release of Johnny Corker's self titled album.

REVIEW: Tim Beals

2007-08-31T17:08:00.000+12:00

TIM BEALS
HAPPY BAR
THURSDAY 23 AUGUST
Words and Photo's by Charlette Hannah

Tim Beals and his younger sister Holly kicked off the evening at the Johnny Corker album release at Happy on Thursday. Tim’s sweet and whimsical guitar was lovely, and the songs were instantly accessible.

I thought he sounded a lot like Iron and Wine, and then they did a cover of one of my favourite Iron and Wine songs - Naked As We Come, and did it justice too. They also did a Nick Drake cover, From The Morning, very well.

I know this may sound strange, but Tim and Holly’s vocals melded together so well that it was almost hard to tell the difference, even though it was male and female voices, obviously. The harmonies were close and well done.

Tim’s song Far From Home was bluesy and catchy, and one of my favourites of the evening. He managed to get one of the best tones out of an acoustic guitar I’ve heard for a while.

COMING SOON

2007-08-30T16:44:00.000+12:00

Hi Wellington Live Music lovers

I moved house recently and haven't been connected to the internet, so things have been a little quiet here lately. Sorry everyone! However, we'll be on track very soon, and will have...

An interview with Flip Grater, and an interview with Robin Hinkley from Good Laika, who are releasing their debut album tonight!

Reviews of Johnny Corker and Tim Beals.

Cheers
Charlette

PS. Stay tuned for news of the upcoming launch of the official www.wellingtonlivemusic.com!

GIGS: 30th August - 5th September

2007-08-28T14:07:00.000+12:00

THURSDAY 30 AUGUST

- The Adelaide
40 Miles Launch Party
Roger Greenaway, Charlette Hannah + more. 8pm.

- The Mighty Mighty
Good Laika - Heads I Win, Tails You Lose debut album release, with Age Pryor.

- San Francisco Bathhouse
Shapeshifter. Sold Out.

- Sandwiches
Harbour City Electric. Free 9pm.

FRIDAY 21 AUGUST

- Happy
Charlette Hannah, Lauren Thomson, Rikki Doolan. $5 8pm.

- Tupelo
Ginger Brown, Sleepy Demons. $5 9.30pm.

- San Francisco Bathhouse
Shapeshifter. Sold Out.

- Blue Note Bar
Stormbird, Toby Mule. $10 9pm.

- The Adelaide
Marineville.

- The Matterhorn
Hohepa. Free 10pm.

- Room 101, Bar Bodega
Dekline, No Love Lost, The Lights Down. $5.

- The Mighty Mighty
Black Market Art, Jimmy Zoom and the Beytorn Grifters, Little Pictures, Holiday With Friends.

SATURDAY 1 SEPTEMBER

- The Matterhorn
Niko Ne Zna. Free 11pm.

- Blue Note Bar
President Gas - Sound on Sound Album Launch. 8pm. RSVP on www.presidentgas.com and receive a free CD.

- Old Studio 9

Twice on Thursdays, Stray Dogs, Cross Eyed Mary,Far from Fiction. All Ages, doors 7.30pm $5.

- San Francisco Bathhouse
OpShop. $20 presales from Ticketek and Real Groovy. 8.30pm.

- The Mighty Mighty
The Hories, Bad Evil, Boss Christ, WrongDoings. 9.30pm.

- Bar Bodega
World Battle of the Bands Wellington Final
Fiin, Mind Vandal, The Stacks, Faster She Said. 9pm.

SUNDAY 2 SEPTEMBER

- The Matterhorn
Money-D, The Yeabsley Key, Lisa Tomlins. Free 8.30pm.

MONDAY 3 SEPTEMBER

Are YOU playing in Wellington? Remember to send your gig listings through to Charlette by Monday to have them listed here.

TUESDAY 4 SEPTEMBER

- Bar Bodega
Beats and bubbles.

WEDNESDAY 5 SEPTEMBER

- San Francisco Bathhouse
Acoustic Lounge 6 - 8pm free.

REVIEW: Pitch Black

2007-08-24T17:58:00.000+12:00

PITCH BLACK
SAN FRANCISCO BATHHOUSE
FRIDAY 17 AUGUST
Words and Photo by Lucy Wyatt

Have you ever-experienced music that makes you feel dirty, moody and horny all at the same time? Pitch Black had the San Francisco Bathhouse rocking on Friday night with a sound resonate of the audiences prurient feelings. From the very first track off their new album, Rude Mechanicals, the crowd were totally tuned in. Paddy Free’s crazy, almost Johnny Rotten look, complete with an intense shock of red hair, bounced his groove amongst the electronic equipment. Michael Hodgson’s less frantic presence created something of an on-stage juxtaposition - a difference that is arguably a necessary part of this eclectic electronic-dub co-habitation.

Tracks like Rude Mechanicals were perfect dance floor raisers, the catchy vocals hitting the right note. 1000 Mile Drift’s eerie, warped beats and haunting vocals changed the audiences pace a little. It’s like knowing what you’re going to get but loving it more than you could have imagined when you get it. Older tracks from Electric Earth were met with familiar appreciation. Many a smiling face told it so. The evening’s concoction of dirty riffs, smooth electric grooves and mesmerising vocals seemed to reach out and draw you deep inside the music.

The lighting - the vibrant colours, the backdrop of illuminated pipes was a pre-cursor to the fluid motion of the wired, electro musical waves fused with a pumping dub heart. The diverse mixture of people forgot their differences and united their common appreciation. When the last track finished the hunger could almost be interpreted as insatiable. Pitch Black, yet again, produced a fat, atmospheric dance floor blast. A truly wicked show.

GIGS: 23 - 29 August

2007-08-22T11:30:00.000+12:00

THURSDAY 23 AUGUST

- The Mighty Mighty
The Cookbook Tour
Flip Grater, Shaun K Anderson. $10 8pm.

- Happy
Johnny Corker album release with Tim Beals. $10 8pm.

- Hotel Bristol
Blue Highways, Bob Cooper-Grundy.

- Bar Bodega
Marleybone Station

- Sandwiches
Harbour City Electric. 9pm

FRIDAY 24 AUGUST

- Valve
Imbolc, Beltane, Slave Cadaver, Gugonix, Execrate, Kaput Mortuum, Kreafly. $10 doors 9pm start 9.30pm.

- Real Groovy 6pm
- Happy 9pm
Scragfest
Galloping Hooves of the Apocalypse, Skaface Claw, Chernobyl Kid.

- Bar Bodega
Faster She Said. $5 9pm.

- Zeal
Second Theory, Whispers For Warning and more. $5 7pm All Ages.

- San Francisco Bathhouse
SJD, Hot Swiss Mistress

- Sandwiches
Rumble in the Jungle Wellington Heat
Featuring Balistics, Dunk, Habit, JDM, JMC, Kersal Massive, Roshi, Rowzy, Rythmatix, Sasky, Subsonik, Tamper. Hosted by Deluxe. $10 11pm.

- MVP
Barefoot In The Sand EP release, with Moana Ete and the Chaperones, Charcoal White. $10 8pm.

- The Adelaide
Tightlipped.

SATURDAY 25 AUGUST

- San Francisco Bathhouse
Happy Cones. $10 9pm.

- Old Studio 9
Zitty, DNA, The Splats. $5 7.30pm All Ages.

- Valve
The Twitch, Hellserpoppin. $10 9pm.

- The Mighty Mighty
Bonnie Scarletts, Coshercot Honeys.

- Happy
The Poe Show
Lucien Johnson

SUNDAY 26 AUGUST

- Old Studio 9
Acoustic Afternoons
Moana Ete and The Chaperones, and open mic. 2 - 5pm $5 for non-performers All Ages.

- The Matterhorn
The Skins, Money-D, The Yeabsley Key, Lisa Tomlins. 8:30pm.

MONDAY 27 AUGUST

Are YOU playing in Wellington? Remember to send your gig listings through to Charlette by Monday to have them listed here.

TUESDAY 28 AUGUST

- Bar Bodega
Beats and Bubbles.

WEDNESDAY 29 AUGUST

- MVP
Rikki Doolan, The Stouts. Free 9pm.

- San Francisco Bathhouse
Acoustic Lounge. 6 - 8pm.

REVIEW: Richard Leschen

2007-08-18T17:09:00.000+12:00

RICHARD LESCHEN
WELLINGTON BLUEGRASS SOCIETY
FRIDAY 17 AUGUST
Words and Photo by Bill in NZ

Friday the 17th, the third Friday in the month, the time for the Wellington Bluegrass Society's regular "Society" night. As usual, there were a number of floor spots before the featured performer - Richard Leschen on this occasion, in the Wellington area recording his second CD at the Braeburn Recording Studios.

Richard is a singer/songwriter with guitar - originally from the heartland of the USA, but now a Kiwi living in the Auckland area. A mixture of descriptions of style - folk, a slight touch of outlaw country, Americana, roots, a bit of bluegrass - but always real music, with intelligent and well crafted lyrics.

He also performs with others - in other styles, world music (Hindi, Hindustani fusion, Turkish) , Tex-Mex, folk-rock and jazz - but this Friday night it was Richard on his own, with guitar performing grass roots music at its best.

Superb guitar playing all evening. To quote from his first album description, Richard has

"a unique style of guitar-picking that involves syncopated rhythms supported by bass and melody lines, harkening to his bluegrass and country folk roots ... His voice is unrefined, raw and expressive, a perfect mouthpiece for his folk-based compositions. The poetical-lyrical content is combined with improvisation ...."

That just about says it all about Friday's performance. Well worth finding him on one of his few live performances in the Wellington area.

For further information on Richard Leschen

www.richardleschen.com/ and
www.myspace.com/richardleschen

For further information on the Wellington Bluegrass Society

www.myspace.com/thebluegrassclub

REVIEW: Peneloping

2007-08-15T21:06:00.000+12:00

PENELOPING
SAN FRANCISCO BATHHOUSE
FRIDAY 10 AUGUST
Words and Photo's by Charlette Hannah

Christopher

Kirsten

At the start of Peneloping's set I was pretty unimpressed. It sounded loose and unrehearsed and there were a few 'what's going on?' moments. As the set went on I was more won round, however in all honesty I wasn't particularly inspired.

Both Kirsten and Christopher have lovely voices, although some of the harmonies were a little shaky. The second song was a vast improvement on the first, and it did get better as they continued. I found the overall tone pleasant, and there were a lot of melodic changes, which is always nice, but not many dynamics.

The music is cutesy and charming, catchy quirky pop tunes. It sounded unpolished to me, but there is definitely potential. It's good to hear male and female vocals together.

GIGS: 16th - 22nd August

2007-08-15T21:05:00.000+12:00

THURSDAY 16 AUGUST

- Bar Bodega
World Battle of the Bands
Faster She Said, MOTA, Scope, The Stacks, The Ramps. 8pm $7.

- Happy
Music and Artists Social Club
Timothy Armstrong, Dave Kempton (Riverblind), Sleepy Demons, Charlette Hannah. $5 8pm.

- Havana
Grand Prix.

- Hotel Bristol
Paul Ubana Jones.

FRIDAY 17 AUGUST

- Valve
A Death In The Family, Strangers, Not Quite Right, Black Chrome, Punchbowl.

- The Opera House
Hollie Smith

- Room 101, Bar Bodega
Date With Doom.

- Happy
Bastard Sons of Grey Power. 10pm.

- Bar Bodega
The Wazzo Clash.

- San Francisco Bathhouse
Pitch Black, Module.

- The Adelaide
Drumstock. 9pm.

- Old Studio 9
Scoria, Lapser, Hellsapoppin, Vatikan.$5 7:30pm All Ages

SATURDAY 18 AUGUST

- Bar Bodega
A Low Hum, the movie. So So Modern, Cut Off Your Hans, Erase + Bri, The Wicks, Sets of 57, Ladyhawke, The Hu Hu, Nikky Brinkman. Movie at 8pm, gig at 9:30pm. Tickets $20 or $15 with student ID.

- Happy
Eva Prowse, Chris Prowse, Costa Botes and Andrew Delahunty. 4pm.

- The Adelaide
Bloody Souls and Knifefight.

SUNDAY 19 AUGUST

- The Matterhorn
The Skins, Money-D, The Yeabsley Key, Lisa Tomlin. 8:30pm.

MONDAY 20 AUGUST

Are YOU playing in Wellington? Remember to send your gigs through to Charlette here to have them listed on our weekly gig listings. Please include 'Gig' and the date in the subject line - 'hey' emails tend to get lost.

TUESDAY 21 AUGUST

- Havana
Roberto Rodriguez

WEDNESDAY 22 AUGUST

- San Francisco Bathhouse
Acoustic Lounge. 6-8pm.

REVIEW: Bob Dylan

2007-08-13T09:43:00.000+12:00

BOB DYLAN
TSB BANK ARENA
FRIDAY 10 AUGUST
Words by Bill in NZ

Where to begin - a visit to Wellington by the most documented, discussed and dissected musical artist in popular music history.

Bob sang to those at the concert - in his never ending challenge to his listeners.

"You think I'm over the hill
You think I'm past my prime
Let me see what you got
We can have a whoppin' good time"

Life is always a two way street - and live music is no exception. Bob came to Wellington in his Never Ending Tour (NET) - now in its 20th year - approaching concert number 2000 later this year. He is continually changing his set lists, his arrangements, his phrasing and even the very words of his lyrics – a 66 year old man, but still vital in his approach to his music. Nearly two hours of solid music – no time wasted with jokes and flattery to the local audience. The performance is the art form being presented. And along with his legacy of 500 songs of lyrical substance, his performances will last as well – with technology allowing virtually all of his performances to be preserved.

Listeners came to the concert from many directions, and places in their lives – not just the baby boomers of the Sixties, reliving their past, but young people too – with ears open in appreciation for the experience. (The only sad thing to me is that the high cost of tickets makes it too expensive for many young people to attend these concerts.)

The Wellington concert in 2003 (concert number 1500 of the NET) was the best of the New Zealand concerts of that year. And expectations were high for this year. Hard to imagine the box known as TSB Arena (Queens Wharf) being the best arena in the main centres – but it is surely a better place than either Christchurch or Auckland – and a more appreciative audience as well.

But to the concert – 17 songs – highlights were “Rollin & Tumblin”, “When the Deal Goes Down” and especially “Nettie Moore” from the recent “Modern Times” album. “Nettie Moore” just works so well in concert – poignant and lovely song. And “Honest With Me” and “My Back Pages” also sparkled on the evening.

A real special performance was “Ballad of a Thin Man” done so well on this night – with meaningful harmonica to finish the song.

And – to round off the evening “Blowin in the Wind” – surely a tribute to Wellington’s glorious winds that night.

And sort of where it all began too – the first playing of a Dylan song by NZ artists was “Blowing in the Wind”, being the early October 1963 playing on radio in Wellington by the local group, The Folkestone Three. 44 years later Dylan is singing it to us as his closing song in the concert.

The music of Dylan will not stop here. It was a very good concert.

REVIEW: Ragamuffin Children and Rosy Tin Teacaddy

2007-08-12T16:06:00.000+12:00

RAGAMUFFIN CHILDREN
ROSY TIN TEACADDY
HAPPY BAR
SATURDAY 11 AUGUST
Words by Martin Johnson

So, when you head down into the bunker of Happy, theres always the feeling of entering another world, expectations of music that doesn't necessarially conform to your usual constraints. Saturday night there was a step back to some times that may not have existed. First off Rosy Tin Teacaddy took the stage, with Billy in particularly good form... perhaps that wasn't tea in his cup, in fact we can confirm that, and like the couple they are, or aren't for that matter, Billy gently harangued Betty between songs with the comfortable space of days over the kitchen table sitting between them. Whether it's a fiction or not, an embellishment perhaps of Betty & Billys life, there's more to this music than two performers on stage, stepping out as they do clad in the residue of another decade & another time in a seaside cottage. The harmonies that Billy & Betty achieved were rather lovely too, give or take a few false starts and extended middles, a digression or two, all adding to the charm

Ragamuffin Children were up next & they looked like they'd fallen out of the Northwest of Califoria some time around 1969, with the particular charm they exude on stage based on a vagueness in their performance. Along with the more serious material, they break things up with singalong tunes about aliens and stories about a dog who will howl along. All very low key and intimate, plus they were on the teapot as well, and this time it really did seem to be tea they were drinking. Nice. The boy they called upon to play clarinet got a cup as well, and he seemed pleased about that. Tea folk, it could be the new rock & roll....

INTERVIEW: Kimbra

2007-08-10T18:23:00.000+12:00

On a recent School's Tour to Wellington with Moana Ete, Kimbra caught up with me for a quick chat before a gig. Much younger and shorter than I expected, Kimbra nonetheless comes across as intelligent and mature beyond her years. Like many NZ artists, Kimbra first came to attention as a finalist in the 2004 Smokefree Rockquest. With two singles under her belt and plenty of interest, Kimbra's future looks bright.

Charlette Hannah: How has the Schools Tour been going, and how did you get involved with that?

Kimbra: Yeah, it's been going really good so far, we've done two schools now and the response has been really good. We weren't really sure but lots of kids have been coming along and enjoying it, and they knew my single which is good. People were singing along which is fun. A venue that has just opened in Cuba St called Zeal are helping out with a few tours for bands and stuff, and they asked me if I'd like to help them out with it, so of course I was like 'yeah sure'. Good opportunity to come down to Wellington. So as well as the School's Tour which is a really great opportunity, I've been trying to get as much as I can in the evenings.

Charlette: You've already managed to generate a fair amount of attention for yourself. Do you have a manager or do you do the hard yards yourself?

Kimbra: I'm just doing it by myself at the moment, which has been fine. Obviously it means you have to spend a little bit more time on the computer side of things, and obviously it would be nice to hand it over to someone else and let them do it. At the same time it's good to know that you're in control of what's happening, what's being portrayed. I'm moving to Auckland next year and maybe I'll think about getting a manager then. Probably not until the point where it becomes a real imperative.

Charlette: You've had a lot of support so far from NZ On Air, have you had any interest from record labels?

Kimbra: I've been fortunate to be able to talk with some labels and get advice which has been cool, but at this point I'm just waiting out for the right deal or situation. And yeah, NZ On Air has helped me out a lot with the singles and the funding side of things, which is similiar to what a record company would provide. Obviously when I come to recording an album I may look into labels more seriously. At the moment I'm just taking it slow, I'm not in any rush to sign up to anything unless I'm sure it's going to allow for the plans I have in the future.

Charlette: Have you got any plans for an album or an EP soon?

Kimbra: Yeah, I would like to get onto something soon now that I've done the two singles. NZ On Air often fund for an album. That's definitely something I want to get onto soon. But at the same time I feel like you only get one shot at a first album and I want it to be good so I don't want to rush into anything too soon. That might mean doing an EP first or something of a shorter length before I jump into an album.

Charlette: Do you have band that you work with?

Kimbra: I have worked with bands in Hamilton, but it's a lot easier to just roll up with my guitar in terms of live performance. Next year I'm looking at getting a simple band together, just drums, bass, to complement the music a bit more. But at the same time, I try to bring together the elements of a band on stage when I play, and try to think dynamically like that.

Charlette: A couple of random questions... How would you describe your music to a deaf person?

Kimbra: Golly, that's a hard one. I suppose there's a lot of roots of soul in my music, I listen to a lot of that as well. It's generally acoustic, there's quite a jazz vibe to my music, jazz and soul. I'm quite rhythm focused so I really enjoy interesting rhythms and melodies is a big thing for me, I like to write really melodic music. I'm hoping there's a unique twist to the music, that it's not too cliche, hopefully it steps out a bit.

Charlette: Would you have plastic surgery when you get old and wrinkled?

Kimbra: I'd say no. I know image is a big thing in the music industry, but to me, if I can still make music at that age and have to sacrifice looking good then I don't really care. I wouldn't really spend all that money on it when it could go to so much betteruse . Plastic surgery, blurgh.

Charlette: Do you want to be world famous?

Kimbra: I'd like my music to reach as many people as it possibly can, and if that means fame, then so be it. It's not something I'm really aspiring to. I'm not passionate about all the stuff that comes along with the music industry, but I'd definitely like my music to reach lots and lots of people, and of all different backgrounds and beliefs, so in that sense, yes.

Charlette: In the 2004 Smokefree Rockquest you were a finalist... Do you think you should have won?

Kimbra: Um [Charlette: I'm just joking!]. I'm glad I didn't win. It was so absolutely unexpected that I came second, and I would never be gutted that I didn't win! Second place can sometimes be a blessing as well, as you get all the exposure of Rockquest, but you're able to break away from it if need be. Whereas sometimes coming first can be hard to come outside of the whole realm of the Rockquest label. Yeah, it was a big year that year, and the bands who got placed were definitely well deserving.

Charlette: You've said that your experience at the All Blacks vs. Ireland match has made you more confident on stage... How do you feel when you're performing, in general? Do you get nervous?

Kimbra: Yeah, as I've said, after doing that game it's been a lot easier to conquer nerves. Every gig I played after that just seemed so much easier, as nothing can quite measure up to singing to 30,000 people at a stadium! All things fly around when I'm performing. I try to come across honest and sincere on stage, so I try not to crowd my head with thoughts of 'how do I come across' because I think it's really cool as a performer when you see someone just as they really are. Not vulnerable, but just honest, yeah.

Charlette: What musicians would you like to collaborate with if you could?

Kimbra: I've always dreamed of singing with a real wicked gospel singer. In New Zealand I'd say someone like Hollie Smith, but overseas, people like Jill Scott. If Jeff Buckley was still alive, singing a song with him would be an absolute dream come true. There's just so many people I admire.

myspace.com/kimbramusic

Gigs: 9th - 15th August

2007-08-07T15:31:00.000+12:00

Are YOU playing in Wellington? Remember to get your gigs through to Charlette by Monday to have them listed here!

THURSDAY 9TH AUGUST

- The Adelaide
Infrared, Worn Villain, The Dahmer Trio, Riverblind. 8:30pm $5.

- Bar Bodega
World Battles of the Bands, Semi 1
Mind Vandal, FIIN, White Night. 8pm $7.

- Happy
Portal 4000.

- Havana
Latin Lounge Trio.

- Hotel Bristol
Erna Ferry with Blues Buffet.

- Sandwiches
Harbour City Electric. 9pm.

FRIDAY 10TH AUGUST

- Union Hall at Victoria University.
Blindspott, Take The Willing, Redline. 8pm $35 presales.

- San Francisco Bathhouse
The Brunettes. 'Structure and Cosmetics' release party.

- The Mighty Mighty
Real Hot Bitches, Wellington Ukulele Orchestra.

- TSB Bank Arena
Bob Dylan. Sold out.

- Sandwiches
Phat 08 Taster Series
Black Sun Empire, Concord Dawn, The Upbeats. 10pm $30 presales $40 on the door.

- Bar Bodega
The Proxies, Faster She Said.

- Happy
The Alternative Bob Dylan fest.

- The Adelaide
The Stacks, Alpha Shift. 8pm $5.

SATURDAY 11TH AUGUST

- Zeal
Cold By Winter, Akaname. All ages $10.

- The Adelaide
Urbantramper & 10,000 Times Glorious, Hot Swiss Mistress, Achilles Botes. 9pm $5-10.

- San Francisco Bathhouse
Minuit, Alex The Kid, DJ Lotion. 9pm.

- Happy
'Werecat Lullabies' release tour
Ragamuffin Children, Rosy Tin Teacaddy. 9pm $5.

- MVP
The Deadly Deaths, Peneloping Little Pictures Matthew Holleman. 9:30pm $5.

- Bar Bodega
The Magnolia Electric Company. $35 from Slowboat.

- Old Studio 9
The Pinkertons, Seth and Merle, The Acid Test, Far From Fiction. 7:30pm All Ages $5.

- Underground Arts
Underground Metal V
Human, Bloodletting, Slave Cadaver, Aethea, Vatikan, Belligerance. Doors 7pm, start 8pm All ages $10.

- The Mighty Mighty
Hikoikoi Reserve, Duke Willis, Mighty Asterix.

SUNDAY 12TH AUGUST

- Real Groovy
Ragamuffi Children instore performance. 2pm.

MONDAY 13TH AUGUST

Are YOU playing in Wellington? Remember to get your gigs through to Charlette to have them listed here!

TUESDAY 14TH AUGUST

- Happy
The Wop Wops & Lucien Johnson, David Donaldson, Anthony Donaldson. 8:30pm.

WEDNESDAY 15TH AUGUST

- Bar Bodega
Percy Feral

- San Francisco Bathhouse
Acoustic Lounge

OPPORTUNITY: Promotions and Events Manager

2007-08-06T14:39:00.000+12:00

Promotions and Events Manager for Underground Ltd. wanted:

Needs to have experience in promotional work and event management, ideally overseas experience (European especially), keen creative vision, ability to organise band/DJ promotions and source venues.

Full job description available with job offer. Please contact Joseph Dobson (Director Underground Ltd.) tel - 0273505100

REVIEW: Carol Bean

2007-08-05T14:08:00.000+12:00

CAROL BEAN
THE WANTED SESSIONS
MIGHTY MIGHTY
THURSDAY 2ND AUGUST
Words and Photo by Bill in NZ

Recent additions to the music scene around Wellington are the "Wanted Sessions" at Mighty Mighty - on the first Thursday of each month.

The past Thursday had a treat for lovers of real music. Carol Bean opened, with backing by Jim Nicolson on bass, Costa Botes on guitar and harmonica by Lester Mundell on the occasional song.

Carol learned her guitar playing from Ry Cooder, and performs in several styles - blues, folk-blues, alt-country, roots, a bit of bluegrass, Americana - call it what you will, but this night let's call it alt-country at its best. Think of Lucinda Williams and Gillian Welch - and you'd be close. Carol did songs by both, as well as some of her own songs.

Good music from each of the musicians, made special by Carol's vocals.

It was the kind of music and kind of winter night where one set by Carol and her band weren't enough.

For information on Carol Bean

www.carolbean.com/

and information on Mighty Mighty
myspace.com/mightymightybar

REVIEW: The Matt Langley Band

2007-08-03T22:55:00.001+12:00

THE MATT LANGLEY BAND
HAPPY
SATURDAY 28 JULY
Words and Photo's by Charlette Hannah

Matt Langley

Matt goes solo

Hometown Records founder Dylan Galletly and Matt Langley

The band

The show started gently, with a slow acoustic riff, sparse bass notes and harmonica. Gradually the band built up, and launched into a solid country rock groove with Moving On. Matt Langley was in fact the first act I ever reviewed for Wellington Live Music, and I liked the music right away. Months later, with the band fuller and tighter, and an EP, Lost Companions, recently released, it's even better.

My personal favourite is the upbeat country rock song Cry Johnny Cry, but Matt shows his depth of emotion and skill in writing in other songs, such as Sometimes Love Is Not Enough. His voice is smooth and full, but with a slight gravelly edge to it which brings to mind great rock singers.

The sound filled the venue, people were up and dancing, and it was the biggest crowd I've seen at Happy yet. I would have liked to hear a bit more keys in the mix, and for while my view was blocked by dancers, but that's not really anything to complain about.

The band took a break after the first set and left Matt on the stage to do a couple of mellower solo songs, after which they returned for a second, shorter set. I think Matt could really go a long way with his music, and I don't like to make such predictions often.

REVIEW: Rosy Tin Teacaddy

2007-08-03T22:53:00.001+12:00

ROSY TIN TEACADDY
HAPPY
SATURDAY 28 JULY
Words and Photo's by Charlette Hannah

Betty Grey

Billy Earl

I was lucky enough to arrive in time for the last few songs of Rosy Tin Teacaddy's set. Opening for Matt Langley and band, Rosy Tin Teacaddy were not only dressed deliciously, they even had a tea set on stage with them. I like it when musicians dress nicely. It's like giving the audience respect, and saying thanks for coming to watch us. The super cute Betty Grey was a particularly refreshing contrast to the general dress code of jean's and t'shirts.

But enough about that. The music is even better. Mixing between two vocals, two guitars and harmonica, Rosy Tin Teacaddy created quite a dynamic between them. Vocally flawless, and with gentle melodies, Rosy Tin Teacaddy are an altogether lovely experience.

I'm afraid I can't say much more, as I only caught a few songs, but I believe they're playing support for Ragamuffin Children at Happy on August 11, and I'll be there!

PHOTOS: The Stacks, Alien 8, Rude Mood

2007-08-02T12:03:00.001+12:00

THE STACKS, ALIEN 8, RUDE MOOD
VALVE
FRIDAY 27 JULY
Photo's by Rosie Morgan

The Stacks

Geoff Day

Antz 'Maddog' Maddox

Alien 8

Shaun Cawston

Jared Wilkinson

Rude Mood

Antz Maddox under a different guise

INTERVIEW: Anika Moa

2007-08-02T11:00:00.000+12:00

Since she first appeared on the music radar at the Smokefree Rockquest in 1998, and following the successful release of her debut album, Thinking Room, in 2001, Anika Moa has become a well respected and loved name in New Zealand. After the quieter release of her sophomore album, Stolen Hill, in 2005, Anika has been touring NZ, Australia and the UK, returning home to record and promote her third album, In Swings The Tide.
Appearing in Wellington for one show only at Sandwiches, Anika caught up with Charlette Hannah for a chat.

Charlette Hannah: There's been a reasonable gap between albums, but you definitely haven't been idle. You seem to be playing with just about everyone in the country. Singing on albums by Rhian Sheehan, touring with Dimmer, Bic Runga, Tim Guy... Is it that you enjoy playing with a wide range of people or can you just not say no?

Anika Moa: When you work with someone, it leads to more work with the other person. Like when I did work with Dimmer, I stole his drummer for my album, and then his drummer now works for Miriam Clancy. And then I did Bic Runga stuff and her drummer now does my flatmates stuff. We're all just basically incestuous musicians, except for we don't sleep with each other, we make beautiful music. Yeah, it's just, you know people, and they go 'I need this' and you say 'of course I can, I can sing harmonies for your album, sweet as bro'.

Charlette: The Tim Guy gig is a really interesting one in that you've branched out into playing bass. Is that taking you out of your comfort zone or do you quite like to do that now and again.

Anika: We've down about 10 or 12 shows so far. When I first started, nervous, like, oh my god, what are people going to think of my bass skills? But as I learnt the songs more and more it's easier. You really up your game and become a better bass player. The only thing I find hard about playing with Tim is that I'm not the main person, and I can't talk to everyone. But we've got this new thing where me and Anna, who's the drummer, we just pretend to fight on stage and hard out talk and Tim's all quiet.

Charlette: At one of the Tim Guy gigs, you wore an extra large hat and seemed to be standing in the shadows. It seems a little different to the extroverted personality you show at your own gigs.

Anika: I know, that's the awkward thing is that I can't be extroverted, 'cause it's not my gig. You know, it's Tim's beautiful music, it's his love. I've just got to play the bass and look hot, really.

Charlette: Both the Dimmer and the Bic Runga gigs involved a gathering of the cream of New Zealand musicians, was it ever intimidating working with that level of talent, or was it more like hanging out with a bunch of mates?

Anika: It was more intimidating because Neil Finn is really good at ping pong, table tennis. His skills were far better than most of ours. That was the competition. We'd always, when we finished recording, we'd go and play table tennis. I'd be like, 'come on, you've got hit songs, hit albums, could you at least let me win a couple of times, like lower your standards'. So he let me win a couple of times. He gracefully bowed out. But I could tell he didn't like it.

Charlette: The last album [Stolen Hill] was a beautiful, mature, contemplative work which seemed miles away from the 'next Jewel' publicists were trying to push you as in America with the first album. Was there any pressure to take a more commercial direction with the third album?

Anika: Not at all, but I know I have written some pop songs for this album. It's pop country. Pop country's good. It's a good mixture and I think I've finally met my match in music, in that I've found my home as a musician. I mean, I'll always be growing and evolving, but at the moment this is probably 100% of the kind of person that I am, the honesty that I portray, it's in this album. There was no pressure. I didn't go, 'ok I want to do a third album, I need some pop songs'. I wrote these songs, and they happened to fall into that category, which is great. Every artist wants to be played on the radio, every artist wants to sell their album, no matter who they are. So that's what I'm hoping to do.

Charlette: What are your hopes for the third album, In Swings The Tide?

Anika: I think, yeah, radio play. 'Cause I didn't get it for the last album. There are a lot of factors, but we won't go into that. I want to travel New Zealand, do a tour, and then hit Australia. There's 22 million people there, so there's a bigger audience. People like Brooke Fraser are paving the way for Maori singer/songwriters, so I'm quite grateful to her for that. I could have tried when I released my first album, but I wasn't ready for it, and now I'm ready for it. It's good because I'm taking the challenge on myself, no one's pushing me, I'm pushing everyone else. So yeah, Australia, the UK and Europe, the world basically.

Charlette: There was a lot of press around the release of Thinking Room, but comparatively little around Stolen Hill and the new one so far, why is that?

Anika: We haven't started doing anything with the new one yet, believe me, as soon as we release the single, then we're going to push it.

Charlette: Bigger than Stolen Hill...

Anika: F#$* yeah!

Charlette: Almost ten years on, if you could go back in time for five minutes, what would say to the Anika Moa who entered the Rockquest?

Anika: Wear shoes! Wear shoes you poor Maori! Probably that.

Charlette: And would she have listened?

Anika: Nah. She would have said f#$* off.

Charlette: You said on your website you don't like watching rugby anymore unless it involves naked players or even better, hot lesbians. Why is that?

Anika: (Laughs loudly) My website is one long joke. Every blog that I do, half of it's true, half of it's false. The only reason I write it is because it's 4:30 in the morning and I have nothing else to do.

Charlette: I was quite enjoying reading it earlier.

Anika: It's funny eh?

Charlette: You also said you're in a relationship with a man and it might be love...

Anika: Totally lying.

Charlette: Your brother recently had a baby. Any plans for children for you?

Anika: Yeah, I was actually talking about this with a friend the other day. I do want children, maybe in two years or three years. Not now. Not right now. But I do want heaps. I want like seven or eight or ten, however many normal people have.

Charlette: Apart from In Swings The Tide, what else is in the future for you?

Anika: There's a Tim Guy and the Two Ties tour in November, as well as an Anika Moa tour. Just music. Just releasing singles and releasing the album. We're releasing the album at the end of September. I've got a new record company, so that's all good. EMI. They're great, great record company. Just, you know, fulfilling my duty as a musician.

www.anikamoa.com

GIGS: 2nd - 8th August

2007-07-30T18:52:00.000+12:00

THURSDAY 2ND AUGUST

- Happy
Sleepy Demons, Tony MacIver, Emma Boniface. 8pm $5.

- Bar Bodega
World Battle of the Bands Heat 4
Amos, The Ramps, The Stacks.

- Zeal
Antagonist.

- Subnine
Colonel Mustard. 9:30pm.

- Valve
Unpaid Debt, Not Quite Right, The Offbeats, OneBadWeekend.

- Mighty Mighty
Wanted Sesssions feat. Carol Bean.

FRIDAY 3RD AUGUST

- Mighty Mighty
TV Disko

- Sandwiches
P Money. $10 presales.

- The Adelaide
Idle Suite CD Release.

- Bar Bodega
Bastard Blues Band.

- Subnine
Karaoke Taxi. 9pm.

SATURDAY 4TH AUGUST

- Happy
Crossings Festival
Viraj Salvi, Night Mechanics, Onomatopoeia. 8pm $15.

- Room 101, Bar Bodega
The Low Spark, Sleepy Demons, Thom McArthur.

- Bar Bodega
Whipping Cats, Golden Axe, Holiday With Friends, Thought Creature.

- Underground Arts
Grouch, Organiks, Legobreaks, Filthy Tomo. 9pm $5.

- San Francisco Bathhouse
Firehouse meets Jafa Mafia & Yardwise. $15 or $10 with Active Card.

- The Adelaide
Muntstock
Tim Beals, Das 1st Ein Blutfleck, Lil Miss Sariah, Stephen Jackson, Marleybone Station, Batucada Sound Machine, Hotel Arcadia, Barefoot In The Sand, This Winters Exhibition, Away With The Faeries, Holiday With Friends, The Dissentors, Dirty Bakers, Idle Faction, Cop Car, Civilian Down. 2pm start $5.

- Subnine
Amnesty International Freedom Week
Tommy Ill, Bonnie Scarlets, The Actualities, Fighting the Shakes, Thought Creature from 7:30pm. All ages gig until 10:30pm, then 18+.

- The Matterhorn
Ginger Brown. 12am free.

SUNDAY 5TH AUGUST

- The Adelaide
Charlette Hannah, Tony MacIver, Kathryn Baker. 8:30pm $5.

- Matterhorn
The Skins, Money-D, The Yeabsley Key, Lisa Tomlins. 8:30pm.

MONDAY 6TH AUGUST

Are YOU playing in Wellington? Remember to send your gig listings through to Charlette by Monday to have them published here!

TUESDAY 7TH AUGUST

- Bar Bodega
Beats and Bubbles.

WEDNESDAY 8TH AUGUST

- Bar Bodega
Riverblind, Liquid Lounge, Mercury Crowe.

- San Francisco Bathhouse
Acoustic Lounge
James Bell-Booth + two more. 6-8pm free.

- The Opera House
Greg Johnson. $41 presales.

REVIEW: Anika Moa

2007-07-28T11:55:00.001+12:00

ANIKA MOA
SANDWICHES
FRIDAY 27 JULY
Words and Photo's by Charlette Hannah

Anika Moa

Dressed in a plain dress, barefoot and much shorter than I realised, Anika Moa's image doesn't necessarily portray her incredible stage persona. It's the first time I've seen Anika live, and she made sure to let us know that she hasn't done a gig in six months, as she's been recording her third album, In Swings The Tide. It wasn't obvious, as Anika is professional, and her natural charm and talent shine through every second she's on the stage.

It was almost like a mix of a comedy show and a music gig. The woman is extremely funny. The audience was in hoots, and her down to earth, kiwi girl, crude humour was well appreciated. She kicked off the set with an unnamed song, working title 'I Miss You Heaps' and invited title suggestions from the audience after the song. These turned out to be 'I miss you', an intelligent interpretation of the song. Following with a song off the new album, Miss Universe, she then sang Good In My Head, the popular single from her first album Thinking Room.

Anika telling one of many jokes

She then asked us what we though of her new haircut, describing how it came about. 'My hair was down to my bum bum and we were doing the album cover and I thought I'd cut it. All my friends said don't cut it 'cause you'll look like a lesbian'. Her jokes in general did tend to be on the dirty side, and it was always difficult to tell if she meant it or not! She brought out an omnichord and played Blue Bayou, sometimes breaking out in giggles herself.

Anika playing an omnichord

She opened the stage up to requests, and grudgingly, it seemed, played Falling In Love Again, another single from Thinking Room. She told us about her new album, coming out in September, and some shows she's playing soon in Australia. 'I'm going over to do shows in Australia, and I'm going to woo them and become famous pretty much. Just so I can meet Silverchair.' Support act Tim Guy joined her on guitar and vocals for a couple of songs, and it took me a moment to notice they are both left handed guitarists, as it looks normal when both are.

Anika Moa and Tim Guy

Her song In The Morning, off her latest album, Stolen Hill, was greeted with loud cheers, and a few audience members quietly joining in. She covered The Mint Chicks' Crazy Yes, Dumb No, which in my opinion, was actually nicer than the original! It goes without saying that Anika has a beautiful voice, confident guitar style and casual stage manner.Anika Moa and Age Pryor

Ending on her hit single, Youthful, she announced she would be doing an encore, so everyone should pretend to clap a lot. Halfway through Youthful, she said 'nice harmonies babe' to an audience member, who then got up on stage and proceeded to sing with Anika, harmonies and all! She took it all in her stride, and obviously got a kick out of out.

Anika Moa and Age Pryor

Returning for her encore, she asked Age Pryor up to the stage to do one of his songs, her 'favourite song', before finally ending on another of her new ones. The whole gig was thoroughly enjoyable, funny, beautiful, and inspiring.

REVIEW: Colonel Mustard

2007-07-27T18:24:00.000+12:00

COLONEL MUSTARD
MIGHTY MIGHTY
THURSDAY 26 JULY
Words by Charlette Hannah

Colonel Mustard opened the Hunting of the Snark show at Mighty Mighty on Thursday. With their tight riffs and excellent groove, they quickly had everyone up and dancing. However, from the moment frontman Rowan Miller started singing, I was lost. It's hard for me to say this, as I know Rowan, and he's a great guy. I'm prepared to give him the benefit of the doubt and say perhaps it wasn't his best performance last night, but the vocals were flat and uninspiring.

For me the standout musician in Colonel Mustard was Thom McGrath on drums - tight, solid, hard hitting and all round excellent. Guitar-wise it was all very good, but overall I felt something a little lacking. Perhaps I wasn't drunk enough or something, but the music seemed pretty stock, and though it was upbeat and had a good feel, it wasn't anything particularly special.

However I do need to say that they had the audience on their feet, yelling and dancing, for the whole set, and that is always a good thing. The sound was thick and the players tight. I just personally didn't warm to it.

SPOTTED BUSKING

2007-07-24T17:14:00.000+12:00

SPOTTED BUSKING
COURTENAY PLACE
FRIDAY 20 JULY
Photo's by Charlette Hannah

Oli Gray

Mika Aloiai

Robert Macdonald

REVIEW: Ginger Brown

2007-07-24T17:13:00.000+12:00

GINGER BROWN
SANDWICHES
FRIDAY 20 JULY
Words and Photo's by Charlette Hannah

Ginger Brown

Joe Dobson

Lawrence Taula

After seeing Ginger Brown at Sandwiches on Friday, I started to kick myself for not having made the effort to see them play before. From the very first note, you can tell this is expertly crafted music, which is truly unique in this world of music where everyone likes to think they are doing something different. Not that they don't have obvious and strong influences, from 50's rock 'n roll, French inspired carnivalesque, 70's psychedelia, to today's rock. Somehow they manage to pull it all together and create something quite wonderful.

Sandwiches as a live band venue is a little odd - the stage seems quite small, and it is hard to see the performers unless you're right at the front. However in the case of Ginger Brown, it didn't matter too much, as they filled up the venue with their curious music.

Don't get the wrong idea. The 'curious' element to the music is an additional bonus to the pure listenability of the band. It's not an inaccessible musical ego trip. The songs are catchy, driven, melodic and dynamic.

Joe Dobson is a very interesting and creative drummer, and pounds the drums with force as well as pulling back and playing clever beats. His playing perfectly compliments Lawrence Taula's Hammond organ playing and fantastic vocals. Guest guitarist Matthew Armitage filled out the sound and line up.

I would highly recommend a visit to a Ginger Brown gig, it's well worth it.

Ginger Brown's MySpace

REVIEW: Liam Finn

2007-07-24T15:46:00.001+12:00

LIAM FINN
SANDWICHES
FRIDAY 20 JULY
Words and Photo's by Charlette Hannah

My first impressions of the Liam Finn concert at Sandwiches went like this: Beard. "Where are all the musicians?" This was soon followed by "wow". I could leave it at "wow" but you probably want to know a little more.

The beard thing is pretty obvious, no further explanation needed there. However, the second can be explained. Sandwiches was packed. I was there in plenty of time, but not bold enough initially to bully my way through the crowd. So those of us 'behind the pillars' had no idea what was actually happening on stage. We heard guitar, then bass, then drums. Slowly, we learnt that this was being played only by Liam Finn.

The guy is a madman and a genius, really. Accompanied by a pile of pedals including a marvellous looping machine, and a backup singer, EJ, Liam really was a one man band.
I wasn't too impressed with his first thump on the drums, it was pretty loose, but you've got to give the guy credit for being bold enough to play the guitar, put it down, and jump on the drums to play with himself. The drumming got better as the night went on, and as I pushed my way to the front, I could see what a crazy drummer he was.

Liam had me on his second song. I'm not too familiar with his songs, but it captured me right away with it's lovely melody. Liam has a gorgeously listenable voice, and is a very proficient musician.

It doesn't even seem right to say it was a solo gig, as there was so much sound and dynamics. Liam went from a song with looped guitar riffs and drums and pulled it right back to a beautiful lullaby. With backup singer EJ providing delicious harmonies and someone to bounce off, Liam was on fire on Friday night.

It's the first time I've seen Liam play, and I have to admit I was never a huge fan of Betchadupa, but I definitely hope to see more of his solo work!

GIGS: 26th July - 1st August

2007-07-23T14:32:00.000+12:00

THURSDAY 26TH JULY

- San Francisco Bathhouse
Steve Kilbey. 8pm $39.90 presales from Ticketek.

- Happy
Lou Goodison CD Release.

- 1 Realm Drive, Paraparaumu
Boh Runga, Carly Binding. Tickets $27.50 presales from Ticketek.

- Bar Bodega
World Battle of the Bands, Heat 3
Scope, House of Spore, White Night.

FRIDAY 27TH JULY

- The Adelaide
Hot Swiss Mistress, Marineville.

- Sandwiches
Anika Moa, Tim Guy. 9pm $20 +BF fee from Real Groovy, venue, Ticketek.

- Zeal
Cause For Alliance, This City Sunrise, Dread Response, Whispers For Warning. 7pm $10 All Ages.

- San Francisco Bathhouse
Jakob, Kahu, LD3. 8pm $20.

- Happy
Runzelstirn and Gurglestock (Switzerland), Dave Phillips (Switzerland) and Justice Yeldam (AUS).

- Scottish Pipe Band Hall
Gaylordz, Goodtimes, Knife Fight, Shortlived, Tentacles Of Destruction, Brick vs Face. $10 All Ages.

- Bar Bodega
The Thomas Oliver Band, Ginger Brown, Elson Gunn. 9pm $10.

SATURDAY 28TH JULY

- Sandwiches
Doc Scott, Marcus Intalex.

- Happy
Matt Langley 'Lost Companions' EP release party.

- Mighty Mighty
Goon album release, with Vorn. 8pm $5.

- Scottish Pipe Band Hall
Huge Mutant, Punchbowl, Smashin' Off, The Carthaginian Solution, Strangers, The Wrongmen, Scab. 8pm $10 All Ages.

- Valve
In Dread Response, Cause For Alliance, This City Sunrise. 9pm $10.

- Old Studio 9
Monoxide Blonde, Cyanide. 7.30pm $5.

- Bar Bodega
Ritalin, Not Quite Right, Fighting The Shakes, Okasite.

SUNDAY 29TH JULY

- Matterhorn
The Skins, Money-D, The Yeabsley Key, Lisa Tomlins. 8:30pm.

MONDAY 30TH JULY

?? Are YOU playing? Remember to send your gigs through to wellingtonlivemusic@hotmail.com to have it posted here!

TUESDAY 31ST JULY

- Havana
Carlos Navarette.

- San Francisco Bathhouse
The Clientele, Robert Scott. 8pm $25 from Slowboat.

- Bar Bodega
Beats and Bubbles.

- Happy
Kimbra, Tony Barnao, Thomas Oliver Band, Little Pictures.

WEDNESDAY 1ST AUGUST

- San Francisco Bathhouse
Charlette Hannah, Kimbra. 6pm sharp Free.

- Happy
Fertility Festival. 8.30pm.

- Bar Bodega
Lacuna Seca

REVIEW: Nigel Gavin

2007-07-22T21:55:00.001+12:00

NIGEL GAVIN
WELLINGTON BLUEGRASS SOCIETY
SATURDAY 21 JULY
Words and Photo by Bill in NZ

Petone as location and the Wellington Bluegrass Society may not be the first things that come to your mind for music listening - but Saturday night that was the combination for the place to be to hear an astonishing NZ musical treasure in action.

And action it was. A guy with a guitar - some singing on a couple of songs, some patter and some stories, harmonica backing (by Lester Mundell) on two blues numbers. But for pure entertainment it was the fingers of Nigel Gavin doing the singing - the art of solo guitar music at its finest.

For most numbers the 7-string guitar was used, but also an 11 string fretless glissentar was in action on one song. Intricate and unbelievable finger picking and playing - great music for listening if you dared to keep eyes closed and ears open just to listen. But hard to not watch and just marvel at the fingers in action - and to wonder how he does it.

The music ranged in styles and origin, some blues, some jazz, most improvised on the night, some abstract, a few based on traditional melodies. Varied and imaginative - with the word virtuoso an understatement.

The concert was captured by Costa Botes on video (five cameras plus sound recording) - Costa produced last year's well-received "Struggle No More" music documentary on the Windy City Strugglers. For those of you unable to see Nigel in action - the concert video may be available later.

It's well worth a visit to Nigel's website to get a flavour of his talent and range of musical projects and inventiveness.

But the place to really visit is the next Nigel Gavin live concert - whether Nigel solo, or performing with others. Nigel is off to the USA in the near future, but will be back in New Zealand for touring later in the year - let's hope that includes Wellington.

for information on Nigel Gavin

http://www.nigelgavin.com/

for information on the Wellington Bluegrass Society

www.myspace.com/thebluegrassclub

COMING SOON

2007-07-21T12:55:00.000+12:00

Coming soon on Wellington Live Music...

Photo's and reviews of: Liam Finn, Ginger Brown, Hannah Curwood, Simon Comber.
Interviews with: Anika Moa, Nine Signals.
Photo's of random buskers...
And more!

REVIEW: Jonathan Crayford Trio

2007-07-19T15:39:00.000+12:00

JONATHAN CRAYFORD TRIO

HAVANA BAR
WEDNESDAY 18 JULY
Words and Photo's by Bill in NZ

The Jonathan Crayford Trio

I don't know enough about jazz to comment intelligently on jazz genres, but do know enough about music talent to say that if you haven't yet heard the Jonathan Crayford Trio live then you have missed a musical treasure on the Wellington scene.

Last night we went to the regular jazz night (Wednesday) at the Havana Bar on Wigan Street- a fantastic way to spend a wintery evening. You could have gone to New York City and found warmer weather at the moment, but you wouldn't have found better jazz. It is that good.

Provocative rhythms and Latin flavoured jazz at their best. Apologies if I get wrong but I believe the drummer is Miguel Fuentes from Puerto Rico & New York. Absolutely in tune with Crayford - as was the bass guitar player last night.

Havana is an interesting place to visit in itself - you could imagine yourself in a New York jazz venue - maybe in the early Seventies - atmospheric setting for the great music - friendly service and fun crowd. Food is provided by 'runner service' from the nearby Fidel's - a good start if you get there early enough.

But the highlight is the music in the front room - plenty of other places in the back rooms for conversations, but the front room is decidedly for the music - world class jazz - and not to be missed.

for some info on Jonathan Crayford

http://en.wikipedia.org/wiki/Jonathan_Crayford

http://www.muzic.net.nz/artists/706.html

and Havana Bar

http://www.havana.co.nz/htmlsite/bar.htm

INTERVIEW: Little Bushman

2007-07-19T15:31:00.000+12:00

A Psychedelic Jazz Enhanced Journey.

Resurrecting the iconic sounds of the past, the Little Bushman have created a sound that stays true to their roots. Pushing away the safety net, this 4-piece band’s (Warren Maxwell, Rick Cranson, Joe Callwood and Tom Callwood) brave fusion is destined for an exciting future. Their debut album, Onus On The Sand, featured the stunning vocals of Lisa Tomlins and Deva Mahal. They currently have their heads down working hard on their next musical experience.

Lucy Wyatt talks to Little Bushman’s drummer, Rick Cranson to find out more.

Lucy Wyatt: The Little Bushman creates a deeply atmospheric and confident sound. Taking into account your jazz past and your personal influences of Hendrix, Zeppelin and Marley is this where you pictured your sound ending up?

Rick Cranson: Yes and no. We definitely have influences from 70’s rock n roll – a lot of influence from Hendrix. There’s also influence from lots of jazz, Coltrane, the later Miles Davis bands, and many others. Also lots of psychedelic rock and roll like Pink Floyd, but really it’s a sort of an evolving sound. But the new album is quite different to our first one and that’s because musically, our writing has changed. There are more elements of Little Bushman and lots of improvising. There are lots of big jams that last 15 minutes or so. It’s simply an ongoing thing.

Lucy: “Jimi” is a very thought provoking track – the obvious strength of a legendry icon combined with the sensual Polynesian backing vocals inspires something of a mesmerizing cross-cultural journey. Was it your intention to create such a feeling?

Rick: Initially it was just a song about this fantastic musician that had given us loads of great music and loads of ideas to think about. It was supposed to be a celebration of his life and his gift of music – although we do try and keep things very New Zealand with our sound – like the Polynesian style vocals, so it sounds different to anything else overseas. We like to keep it like that – as New Zealand has a sound of it’s own.

Lucy: Even though your sound is quite different from that of Trinity Roots, (Warren Maxwell’s last highly successful band), there are still the strong overtones that tell of nature and community. How important of a sub-genre is this for the band?

Rick: It’s a big part of our music. It’s almost like escapism. We try to take the people that come along to our concerts on a journey. We try and push as far out there as possible to create an almost trance like effect. That’s a really important thing, and it’s reflective of New Zealand culture - wanting to escape and have a good time, to forget about work and the things you have been doing during the day and take on another experience. The more we play live the more we want to go down that road and make a whole experience of the shows.

Lucy: Onus Of The Sand is an incredible album. There are so many elements that ring through from the psychedelic rock era of the 60’s, a bluesy tone and some dramatic twists of jazz improvisation. This is arguably a new type of New Zealand sound – was it more of a discovery or specifically planned to sound this way?

Rick: It’s a little bit of both. It’s definitely a conscious decision to say that’s where we are going. Warren Maxwell would come along with a whole bunch of skeleton ideas for songs and lyrics and a couple of basic cords and from there we would do a little bit of improvisation. Trying different ideas until it evolves into something that is a whole piece of music. That might take weeks but we do have a goal in mind. We try out all these ideas and if they work they stay, if they don’t they get replaced. We want it to be interesting for our audience and of course interesting for us. We improvise a lot so the tracks aren’t going to be similar. I think that’s quite a strong thing with us all being jazz players. Within that there are definite structures - we follow those structures so that each track has a character if it’s own.

Lucy: With New Zealand music becoming more internationally recognized and accounting for your influences, both the legendary and the genre-based, do you think this will afford you some better recognition abroad?

Rick: Yeah - I think we’ll try and jump on the bandwagon. We’d like to get over to Australia next year if possible. We’re going to finish this next album and get it released in November so that we have 2 albums under our belt. We’re definitely hoping that the overseas listeners will embrace us much as they have embraced other New Zealand bands in the last couple of years. But you never know, they might think - man what are these guys on?

Lucy: What are your foreseeable plans for Little Bushman and do you have many tour dates booked for the future?

Rick: Our biggest thing is getting our second album finished. We’ve just spent 3 weeks tracking it over in the studio and there’s a whole lot of over dubbing and extra parts to put on and a whole months worth of mixing to do. Our aim is to release it in November. We have a few dates booked - some in Napier in October and then we are also playing with the Auckland philharmonic orchestra. The composer is going to score out a whole bunch of our songs for an orchestra. We are very, very excited about that. Next year we’re predicting a very busy year - getting out. We’ve been out there quite a bit this year already, like Soundsplash at the beginning of the year, that was great fun and of course this Saturday at the San Francisco Bathhouse.

www.myspace.com/littlebushmanband

INTERVIEW: Cornerstone Roots

2007-07-18T13:42:00.000+12:00

Revolutionary Reggae Roots.

Recognized in Australia, Japan, USA and Brazil, Cornerstone Roots are taking their original reggae roots global. The new album “Free Yourself” stays faithful to New Zealand with a nationwide tour towards the end of July. It surely is forward march for these pioneering roots masters.

Lucy Wyatt: Four years on from “Soul Revolution” we are now graced with your second album “Free Yourself”. Do you think your sound has changed?

Cornerstone Roots: It’s been a natural progression from Soul Revolution, but in saying that we definitely tightened things up. We recorded it with all of us in the one room – so it was done live. We did have a crack doing it the old school way – one instrument at a time and it didn’t quite work – we weren’t really getting the bite, so we decided to go back to how we recorded our first album. Also, we wanted to get it as close to our live sets as possible – and admittedly there was some pressure to keep up with Soul Revolution.

Lucy: You are known to project both political and spiritual messages within your music, does writing about global issues come easily for you?

Cornerstone Roots: Always. It’s part of my personality. I’ve tried to be quite platonic when writing, but I just can’t do it. A lot of people ask me what does it mean, what’s Cornerstone about? I say, what does it mean to you? I don’t want to ram stuff down people’s throats. I put the lyrics out there on the album so people can work out the political and environmental issues for themselves. One guy in the States emailed me and said for him it’s like a soundtrack for life.

Lucy: Your band has certainly grown from your original 3-piece set. How has the input of Jonathan Crawford shaped the band?

Cornerstone Roots: He’s a very perceptive person, quite eccentric at times, but we kinda like that. He brings a lot of experience to the band. He’s like ‘“it’s ok man, you just do what you feel like doing, don’t worry about the crowd, just play for yourself.”’ He gets us to think outside the square. He’s taught us how to explore our different influences and not to worry about being labeled.

Lucy: Also Lucino the “king of dancehall” contributes to the new album with his exceptional voice on the track, Jah, what was it like working with him?

Cornerstone Roots: Again – inspirational. He’s a legend. We were meant to record with him the night he played at the Galatos, but he decided not to record with Fat Freddy’s Drop or us. The next day I got talking to him and he was like, “yeah - I’ve decided to do the track.” We found the last studio in town. It took him 2 hrs to get the track down. He wrote it, did the backing vocals, the ad-lib and “Jah” was the result. Then I drove him straight to the Big Day Out where he was due on stage. It was tight.

Lucy: Your roots are obviously of great importance to you, always staying loyal to Raglan, what with organising the Soundsplash festival, but now you are taking Cornerstone Roots global. Why have you chosen to head to Brazil this year?

Cornerstone Roots: We’ve been distributing to Brazil over the past 2 years. What happened was people were coming over here from Brazil, Japan, America and Europe and about that time we happened to be playing a lot in Raglan. The tourists who were at the gigs just flipped their lids. Since then our music has started to spread quite quickly back in those countries. So that’s how Brazil came about. They sort of approached us and we did some deals. We have a 20-day tour planned from San Paolo to El Salvador, all we need now is the funding.

REVIEW: The Black Seeds

2007-07-18T09:58:00.000+12:00

THE BLACK SEEDS
VICTORIA UNIVERSITY
THURSDAY 12 JULY
Words and Photo's by Lucy Wyatt

With a European tour just days away The Black Seeds, promoting their new album Into The Dojo, graciously afforded us one last gig before their departure overseas. The Victoria University crowd were well fired up thanks to the dub collective that are the mighty Pacific Bass Culture and by the time The Black Seeds hit the stage people were ready for some deep grooving. Barnaby Weir greeted the students like an old friend with his down-to-earth personality. From the very start the atmosphere was one of dedication and pure respect.

Pumping out the old favourites, Turn It Around, Let’s Get Down and So True, to name a few, revived memories of how they conquered their homeland and the crowd nodded and skanked away with true admiration. The new tracks got a positively elated reaction thus proving that this band is definitely improving with age. The Answer has a mellow depth and in contrast Sometimes Enough shows something of a funkier side to the band. The Prince, with it’s instrumental jamming is a truly danceable number – a winning track.

The appreciative student crowd, crammed together on the sweaty dance floor, enticed the band back on stage and the dance floor was once again ripped up with a seriously demanded encore. The atmosphere was indicative of a bright future ahead for a very popular band. With European record deals, and an irresistible new album The Black Seeds appear to be on the right track. Maybe the illuminated star-covered stage’s backdrop held some hint of their future – all twinkling and shining and there for the pleasures of international stardom.

GIGS: 19th - 25th July

2007-07-17T10:57:00.000+12:00

Are YOU playing in Wellington? Remember to send through your gig details to wellingtonlivemusic@hotmail.com by Monday morning to have it listed here!

THURSDAY 19TH JULY

- Bar Bodega
World Battle of the Bands Heat 2
Alpha Noise, Fiin, Mota, Colonel Mustard

- Matterhorn
The 202's. 9.30pm.

FRIDAY 20TH JULY

- Tupelo
Ghost Dubs, Strictly 138, Kaps, Steppa D, P-Vans, M.Tekka. $5 8pm.

- Happy
Hannah Curwood and Simon Comber. 8pm.
Infinite Flying Kick, Decortica, Vorn, Hot Swiss Mistress. $10 10pm.

- Sandwiches
Liam Finn, Ginger Brown

- Bodega
Residue

- Valve
The House of Capricorn, Vatikan, Amarna, Demon Foetal Harvest, Gary Churr & The Beers. $10 9pm.

- Old Studio 9
The Pinkertons, The Philosophers, Harris MacKenzie Boock, DNA. $5 All Ages 7.30pm.

- Havana
DJ Takkas.

- Matterhorn
The Jewel School. 10pm.

SATURDAY 21ST JULY

- Valve
TT Ryder, Cynical Ploy, Forgotten Warriors, Muzzleglow. $5 Doors 9pm, start 10pm.

- Subnine
Crossings Festival
Big Bada Boom, DJ El-Amein-Ji, DJ Ajnabee, MC KthrNak, MC Pundit, MC Mantra. $10. Doors 9pm, start 10pm.

- Blue Note
Infinite Flying Kick, Decortica. $10 8pm.

- Sandwiches
Rhombus with local guests and DJ's. Tickets $20 +bf from sandwiches.co.nz or Real Groovy. R18 10pm.

- Happy
Ryan McPhun and the Ruby Suns, Holiday With Friends, Girlfriend.

- Underground Arts
The House of Capricorn, Wrath, Aethea, Vatikan, Morte Vida. $10 Doors 7pm.

- Bar Bodega
The Offbeats.

- Havana
Sons of Puha.

- San Francisco Bathhouse
The Little Bushmen. 9.30pm $20 +bf presales from Real Groovy.

- Matterhorn
The Imperial Doppelgangers. 10pm.

SUNDAY 22ND JULY

- Matterhorn
The Skins feat. Money-D, The Yeabsley Key, Lisa Tomlins. 8:30pm.

MONDAY 23RD JULY

Are YOU playing in Wellington? Remember to send through your gig details to wellingtonlivemusic@hotmail.com by Monday morning to have it listed here!

TUESDAY 24TH JULY

- Havana
Roberto Rodriguez.

WEDNESDAY 25TH JULY

- Valve
Colonel Mustard, Karaoke Taxi, Cop Car.

- San Francisco Bathhouse
So So Modern, This City Sunrise, Hectik Runz, Zitty, Cut Off Your Hands. All Ages.

- Sandwiches
Charmaine Ford, Nick Tipping, Richard Wise. Album Launch 9pm Free.

REVIEW: Mojo Mama

2007-07-16T12:04:00.000+12:00

MOJO MAMA (and the Hired Guns)

EVA DIXONS
THURSDAY 12 JULY
Words and Photo's By Bill in NZ

Wellington is blessed with so much quality music in many genres - and many venues of varying quality. It's hard to keep track of the times and places for good listening.

Another option recently available are music nights at Eva Dixon's. Last Thursday we went to the Miramar restaurant to escape the cold and wet weather - and to have someone do the cooking and dishwashing, and to meet with a few friends. We had a very enoyable evening, including several hours of relaxed, soulful and well delivered music.

Mojo Mama - are a piano based boogie and blues band - a trio - with Cindy Muggeridge on piano and Laura Collins on vocals as the mainstays, with hired guns making up the trio. The hired gun the past Thursday was Neil Billington on blues harp (harmonica).

Boogie and Blues is just short hand for classic blues and laid back soul singing and accompaniment - with influences from many singers - from Bessie Smith to Bonnie Raitt and a few dozen in-between. The trio perfomed as befitting a dinner performance - outstanding in delivery, working well with each other, not interfering with conversation, but every song a pleasure to experience. The two hours of music must have been closer to three in the end - well worth the evening out.

The three musicians complemented each other in all ways - outstanding vocals, piano and harp. Laura has been best known recently for her alt-country and country-blues performances but this night there was classic blues singing at its best.

Best to check of course, for a special occasion to see if music is on the menu, but take my recommendation - the blues as background to the food is like fine wine - can't be beat if done properly, and it was with Mojo Mama.

www.evadixons.co.nz

www.lauracollins.co.nz

INTERVIEW: The Have

2007-07-11T15:06:00.000+12:00

“The Have” are truly having it.

All grown up at the average age of 22 “The Have” have come along way, since their days jamming in Wanganui. With songs licensed for movies (The Devil Dared Me To), sports (Rugby 2007 and Burnout 2007) and TV ads (X Box, Canterbury for Rugby World Cup, Super 12’s in Australia), what have these boys not been up to? Their debut album “Back To The Burning Wreck”, sees them on their first nationwide rock n roll tour. Hot, young and awesome live, these boys seriously should not be missed. This time believe the hype, they certainly rock.

Lucy Wyatt speaks to Peter Mangan, to find out more.

Lucy Wyatt: Bet you are looking forward to promoting your debut album “Back to the Burning Wreck” to a New Zealand audience.

Peter Mangan: Can’t wait. We did a few gigs a few months ago, but it’s going to be great to cover both the North and the Sound Islands and see their reaction. Really looking forward to seeing our fans.

Lucy: It’s fantastic that the US producer Barrett Jones (Foo Fighters, Nirvana) got on board, how was it working with him?

Peter: It was something totally new for us working with an international producer. He has such a strong background and great advice. He had some really great ideas and we had fun trying lots of different recordings. The whole band really learnt a lot from him.

Lucy: He obviously influenced your finished sound with his US approach, creating a very polished album. Who are your influences?

Peter: Black Rebel Motor Club is really doing it for me this year and the blues. We’re all influenced by lots of different bands and styles, I guess it changes a lot each year.

Lucy: So how did the name “The Have” come about?

Peter: It’s interesting you ask about that. It was Blair’s idea at High School, he just came out with it, we all agreed and “The Have” it was. Just came out of nowhere really.

Lucy: I heard about the cameraman in Texas a couple of years ago having to wipe the beer off his camera because the crowd respected you so much. Apart from that, how do the US audience compare to the New Zealand crowd?

Peter: We’ll have to wait and see, hopefully they’ll get down like they have in the past and in like the crowd in the US. We just want them to have a good boogie, get the party happening; because that’s what we’re all about.

Lucy: You’ve come a long way quite quickly, where do you see yourselves next year? Any plans overseas?

Peter: We’re heading to Aussie in a few months to do some gigs, and we’ll probably relocate in the near future, as most Kiwi bands eventually do, but not quite sure yet.

Lucy: Back To The Burning Wreck has had very positive reviews. Was it hard to edit down the tracks? Do you have a favourite?

Peter: Yeah it was hard. We had 23 to edit down and we decided on 13 in the end. I guess my favourite is Oh, Oh, My, My.

Lucy: You guys are all pretty young and charging ahead nice and smoothly. What age were you when you looked at your idols and thought I can do that?

Peter: We were 16 at High School and we all had the same passion, tastes and ambitions. We started young. When you’re young it’s about having fun, now it’s paying off.

Lucy: Myspace has helped lots of bands worldwide, do you feel it has had much of an impact on your success?

Peter: I think it’s a great tool to use. It’s excellent to hear from our fans and keep in touch with them wherever they are in the world. Also for photos, so people can see what’s been happening at the gigs. It’s free advertising and access to our music, perfect.

More info

www.myspace.com/thehave

http://www.thehave.com

INTERVIEW: The Black Seeds

2007-07-11T15:00:00.000+12:00

Sowing The Seeds That Bloom.

It’s all going on with The Black Seeds. This month has seen an onslaught of exciting news. News that shall take them overseas, climbing up the ladder of international success. Their innovative fusion of reggae, dub, soul and ska has been sophistically reworked into their new album Into The Dojo. Their last tour recently sold out in Sydney, Brisbane, Melbourne and Wollangong and now with the European signing The Black Seeds are ready for their fast growing international following. Don’t worry they aren’t turning their backs on us, catch their New Zealand tour in Sept/Oct.

Lucy Wyatt talks to Barnaby Weir from The Black Seeds to find out where they are heading this year.

Lucy Wyatt: Firstly, I would like to congratulate you on signing with the renowned international labels “Sonar Kollectiv” for Europe and “Rough Trade” in Holland. How does it feel to have that level of recognition?

Barnaby Weir: Cheers, yeah it’s really good and it feels quite satisfying. We have done some European tours in the past so it’s great to get something from them. It’s (Sonar Kollectiv) a good label, quite a diverse label, and yeah it’s exciting. It’s just the beginning I guess…

Lucy: Your new album Into The Dojo is to be launched across Europe and Japan, at the beginning of next month. So tell me, how did the title of the album come about?

Barnaby: Well we rehearse in an old Dojo where we’ve spent many years. There is a bit of a history to the place. Stretching back probably 15 or 20 years. Many different people have used it for music over that time - different bands - underground bands, some really good bands have passed through there. We have been using it for about 5 years or so, and we’ve spent a lot of time there tuning our sound. It’s a funny place, really dingy sometimes, especially if it’s a nice day outside, it doesn’t let much sun in. But that is where the magic has been made and lots of cool music has come out of that room.

Lucy: Your recent tour of Australia was an amazing success. Now you have exciting times ahead with your European month long album launch, kicking off mid July in London. How does a European tour influence your musical outlook?

Barnaby: I guess it’s good for a band to be on tour in Europe and see what the other big bands are doing. Not necessarily similar bands, but just to see how other bands are trying to make it. It does open your perception of what it is you are trying to do and how difficult it can be - it gives us better clarify when you see other acts perform. Also, when you get to London you can look in the paper and there are international acts touring Europe all the time and it’s inspiring for us to be at that level. Getting out there - doing the festivals and widening our fan base.

Lucy: Into The Dojo has had raving reviews so far. Was it a natural progression from On The Sun, or do you feel your sound has changed?

Barnaby: It was a natural progression but On The Sun does have a slightly different rhythm partly because it’s slightly different band, I mean the same band, but different members. And we’ve matured as artists and we’ve got better as we’ve done more gigs. Genre wise - it’s not really a huge shift. Perhaps there is more variety in the new album, it’s less poppy, a bit darker - we dimmed the lighting. Daniel Weetman was one of the writers, he’s more of a shared writer from the rest of the band, and Mike Fabulous who plays the guitar produced the album with Lee Prebble, who records lots of other bands. I’m really into the album it’s a good one from us. It’s more interesting than the previous one, and a bit different.

Lucy: We see a lot of successful New Zealand bands relocate. Does the band have any plans to move offshore in the future?

Barnaby: Well, no not really, I mean not at this stage. I’m not sure if that will ever happen because of the way the band works. There are young fathers in the band and the kids and families are based here. If you really wanted to take on Europe you would just move somewhere cheap in the middle of it and just nail it for 3 years, but we are not going to do that because it’s just not possible and it’s more important to just have the band all together doing as much as we can. We need to work within those boundaries. We can do a month here or 2 months there we do replace people if they can’t make it on a big tour, but you can’t put that type of pressure on everyone as they have other responsibilities.

http://www.theblackseeds.com/

www.myspace.com/theblackseeds

GIGS: 12th - 18th July

2007-07-09T15:34:00.000+12:00

Are YOU playing in Wellington? Remember to send through your gig details to wellingtonlivemusic@hotmail.com by Monday morning to have it listed here!

THURSDAY 12TH JULY

- Bodega
World Battle of the Bands Wellington Heat 1
Psycho Space Monkeys, Faster She Said and more.

- Sandwiches
Harbour City Electric. 9pm.

- Subnine
Riverblind, Muzzeglow, Barefoot In The Sand. 10pm $5.

- The Adelaide
The Ramps, The Randoms, Amos. Free.

-Valve
Omega Realm, Slaughtered Symphony, Evil Mule. 9pm.

FRIDAY 13TH JULY

- Bodega
The Stomps, Bastard Sons of Grey Power, The Randoms. 8pm.

- Underground Arts
Black Friday Massacre. 9pm $5.

- Old Studio 9
Charmed School Rejects, Left Handed Addiction, Too Many Jonnys, Twice On Thursdays. 7.30pm $5 All Ages.

-San Francisco Bathhouse
Bad Luck Ball Pt 3
Thumper, Horror Story, Black Chrome, Volcana, DJ Voodoo Savage, DJ Nightmare 666. 8pm $13.

- Sandwiches
Teebee (NOR) and Calyx (UK) & The Upbeats: Local support from Mr Smith, Indeks and Habit. Tickets $45 +bf from Real Groovy, Cosmic Corner, DMC and Sandwiches.

-Subnine
Concord Dawn, local DJ’s Sal and DDog. 10pm. Tickets $25 from Real Groovy and Cosmic Croner and $30 on the door.

- Valve
Fanucman, Punchbowl, Pink Flamingoes, Goodtimes.

SATURDAY 14TH JULY

- Sandwiches
Timmy Schumacher &amp;amp; MC Kyla. R18, $20 (+BF) presales.

- Old Studio 9
Alien 8, The Alpha Shift, The Stacks, Feiry Orchid. 7.30pm $5 All Ages.

- Bodega, Room 101
The Huhu.

- Valve
The Postures, Fanucman, Yokel Ono, The Dissentors, Captain Sergeant Major. 9pm $10.

- Mighty Mighty
Cherry's Gemstones. Wild Rockabilly Surf Marshan Madness. 9pm $10.

SUNDAY 15TH JULY

- Old Studio 9
Acoustic Afternoon. 2-5pm $5. With Barefoot In The Sand.

MONDAY 16TH JULY

- Southern Cross
Acoustic Pioneers.
Matthew Pixie Pickering and more. Koha entry.

TUESDAY 17TH JULY

- Valve
Seisure Drum N Bass 1/ NAR/CO/SIA, Evil and McSig'le

WEDNESDAY 18TH JULY

Are YOU playing in Wellington? Remember to send through your gig details to wellingtonlivemusic@hotmail.com by Monday morning to have it listed here!

REVIEW: Cherry's Gemstones and Disasteradio

2007-07-06T15:13:00.000+12:00

FRIDAY 29TH JUNE
CIVIC ART GALLERY
CHERRY'S GEMSTONES
Words and Photo's by Charlette Hannah

Hannah Simpson, a.k.a Cherry Gemstone

Rock 'n roll

Cherry's Gemstone's - Claire Macfarlane Cherry, Ben a.k.a B Jammin

As can be seen by the photo's, a show with Ms Cherry Gemstone is never predictable. Kicking off with a lovely ukulele song, Annabel, she began the set at the Civic Art Gallery solo.
She then moved to acoustic guitar, playing a variety of songs in her own inimatable style.

Hannah Simpson (Cherry) has one of the best voices I've heard in a long time. Sweet and husky, and yet able to blow the roof off when she really lets go. This is one woman who knows her own voice and is not afraid to use it.

After a few songs, Cherry was joined by drummer Ben Payne, or B Jammin. She picked up the electric guitar, danced around, and did a song that started with playing her guitar with the beer bottle. And from what I can gather, this was one of her more subdued gigs!

Cherry's Gemstones did two sets all up. In the second set, Cherry moved to keyboards, and was joined by violinist Claire Macfarlane. Strings (other than guitars, of course) sound so good in bands, I'm surprised more people don't use them. Claire played lovely melodies over Cherry's melancholic and slightly eerie piano tunes. As expressive as usual, the change in songwriting style between guitar and keyboard was quite noticeable. Personally I prefer her piano stuff, but although they are by the same person it is a bit of an apples and pears comparison.

Cherry is obviously a musical force, whether you like her music or not, and her voice at the very least should be appreciated by many, as it is absolutely stellar.

DISASTERADIO

Disasteradio turned out to be one guy, Luke Rowell, and his computer. It was high energy electronica pop, and drove me nuts after one and a half songs. There's obviously an audience out there for this sort of thing, but with no vocals and a guy just standing there tapping away on keys and barely dancing himself, it didn't even hold my attention for over five minutes, and I'm sorry to say I didn't stay around to catch the last band who were playing that night.

REVIEW: Shaun, Rikki, Kathryn, Matt

2007-07-06T00:02:00.000+12:00

SHAUN K ANDERSON, RIKKI DOOLAN, KATHRYN BAKER, MATT HOLLEMAN
THURSDAY 5TH JULY
SUBNINE
Words by Charlette Hannah
Photo's by Rebecca Holleman

There seems to be a neverending supply of talented solo artists in this city! On this wet and chilly night (what night isn't lately) we ventured down the back alleys to Subnine, home of drum 'n bass and all things electronic. This was evidenced by the slightly shaky sound system the performers had to deal with. It looked like a great set up for a DJ - but couldn't handle a band at this stage.

After a few technical hitches, the evening started with Shaun K Anderson. I have to admit, he's grown on me since I last saw him. Not that I ever disliked his music, by any means, but this time I felt a bit more from it. I would like to see a bit more of a dynamic performance, but Shaun does have a lovely voice, and I think the songs become more appealing each listen.

Each set was very short, only four or five songs, which was actually quite nice. It meant those who a) have a short attention span and b) have to get up the morning, such as myself, got a taste of each performer, a nice evening, and no need to sneak out before the end!

Rikki Doolan

After Shaun, Rikki Doolan took the stage. Rikki has a pleasantly casual aura, and a voice that reminds me somewhat of Mr E of The Eels. He puts on quite a dynamic performance, and tonight that included a John Lennon song - Working Class Hero. Of course, I'm always a bit of a sucker for an English accent!

Kathryn Baker broke the male trend, with her lilting pop voice and finely crafted acoustic songs. I first saw Kathryn with her band Vade, which I would almost liken to a female Radiohead with less keyboards and more rock. Her solo work has interesting melodies, and her voice is lovely. She ended with a song called 'Be Straight With Me' which illustrated the heartfelt nature of her lyrics.

I'm not sure exactly what point the party next door got started, but I first noticed it between Kathryn's songs. It must have been a bit of a challenge to play with loud drum 'n bass in the background, and I admire that they didn't get distracted! Or if they did, they hid it well.

Matt Holleman

Last up was Matt Holleman, with his unique vocal style and skilled guitaring. Matt's songs manage to be unusual somehow, in a scene where different from one thing means the same as something else. I was a bit mystified by the tone of the guitar - what kind of strings do you use, Matt? Again, a very short set meant that it was a brief encounter with Matt's music, but what I heard got my attention which is always a good start!

REVIEW: Mannekin Thoughts and Barefoot In The Sand

2007-07-06T00:01:00.000+12:00

SAN FRANCISCO BATHHOUSE
ACOUSTIC LOUNGE
WEDNESDAY 4TH JULY
Words by Charlette Hannah

MANNEKIN THOUGHTS

Acoustic Lounge really is the place to go to find talented singer/songwriters/bands. I don't know where Peter Baillie find them all, but he manages to constantly procure excellent performers.
Mannekin Thoughts opened the night, with their upbeat alternative/country/folk rock. Between the two of them, Rose and Byron played guitars, tambourine, hamonica and shakers. Both had great vocals, especially Rose. The melodies and rhythms are skilled and it's great to listen to, with lots of feeling. It's good to hear more upbeat music - people often seem to get sucked into the melancholia trap.

BAREFOOT IN THE SAND

Following Mannekin Thoughts was four piece folk funk band Barefoot In The Sand. Singer Jenn Shelton has an deep, powerful and soulful voice, and the instrumentation from the guys is dynamic and unique. Not many bands would dream of putting aside the full drum kit in favour of a hand drum, but percussionist Jeremy Hantler not only played a variety of beats, he even did a solo! Hamish Maudie provided stable and creative bass lines, while Blair Pederson on the guitar had subtle and lovely riffs. Each musician was given their chance to shine.
There was obvious rapport between the members, which created a real feeling of harmony, quite aside from the lovely harmonies in the music.
The music overall is laid back yet interesting, with a solid groove. I will definitely be keeping my ears out for these two bands.

REVIEW: Lauren Thomson

2007-07-03T11:29:00.001+12:00

SATURDAY 30TH JUNE
HAPPY
LAUREN THOMSON
Words and Photo's by Charlette Hannah

Lauren Thomson

Lauren with her husband Ben

For me, the stand out performer of the week was Lauren Thomson, down to visit us from Auckland. From the moment she first started singing, she had the audience captivated, and each of her songs are gems.

Starting off with a haunting melody and subtle guitar playing, she moved to a more upbeat country song, and at one point even threw in a cover of Landslide. However I think her originals were just as good if not better than the legendary Stevie Nicks.

Lauren's voice is beautiful and engaging, and full of dynamics. It was very sweet when she asked her husband Ben up on stage to sing harmonies with her, and explained that the song, Our Love Is Due, was written about him just before they got together. Lauren has a glow about her, which is refreshing to see in a city where you come across so many world weary faces.

In all honesty, I didn't want to move for even a moment to take photo's. Lauren really did cast a spell over the place, and it was the highlight of a very busy musical week for me. She's definitely one to keep an eye open for, and I believe her EP, Our Love Is Due, is coming out soon.

REVIEW: Achilles Botes and Shaun K Anderson

2007-07-03T10:54:00.000+12:00

SATURDAY 30TH JUNE
HAPPY
Words and Photo's by Charlette Hannah

ACHILLES BOTES

First up on Saturday night was Achilles Botes, accompanied by an impressive array of pedals, and even a tambourine which he tapped with his foot.

Achilles is one of those rare solo artists who actually manages to hold my attention for longer than two songs, which I'm always grateful for. There are so many solo artists around, and many of them are very good, but sadly (for I am even one of them) not all can really capture an audience and hold the stage with just themselves.

Achilles reminded me of The Eels, with a bit of Iron and Wine thrown in. But a little more sophisticated. He started off quite acoustic, and got rockier after a couple of songs, bringing in the loop pedal and other effects. He even sang in Greek! I'll definitely be on the look out to see Achilles play again.

SHAUN K ANDERSON

In all honesty, though I find it hard to say anything less than lovely about a singer/songwriter, I was a little underwhelmed with Shaun's set at Happy on Saturday. I'm wondering if perhaps Shaun is more of a recording artist. His quiet laid back songs also called to mind Iron and Wine, his guitar style is lovely, and his gentle, breathy voice is easy to listen to. However I did find myself getting a little bored, as it was quiet and there weren't a lot of dynamics.

PHOTOS: Riverblind

2007-07-02T19:22:00.000+12:00

FRIDAY 29TH JUNE
VALVE
RIVERBLIND
Words and Photo's by Charlette Hannah

Dave Kempton

Dan Simpson

Riverblind

Some of the crowd at Valve

Solid rock with an almost operatic vocal style is how I would attempt to describe Riverblind in one sentence. Lead singer/guitarist Dave Kempton has an incredibly powerful, smooth and melodic voice. Backed up with solid drums from Tim Whitta, and Dan Simpson throwing himself around the stage with his 6 string bass, these guys are a surprisingly powerful live act.

REVIEW: Tim Knauf and Canadia

2007-07-02T18:34:00.001+12:00

THURSDAY 28TH JUNE
HAPPY
TIM KNAUF and CANADIA
Words and Photo's by Charlette Hannah

TIM KNAUF

Tim Knauf was the first act up on Thursday at Happy. His easy voice and guitar style were very pleasant to listen to, and he held the stage solo and cracked jokes between songs. Although the re-tuning of a 12 string got a little tedious, and the set lost a bit of momentum because of it, it was an enjoyable performance overall.

CANADIA

Half of Dunedin's Gestalt Switch, Canadia were just passing through Wellington and played second support for Sleepy Demons at Happy. Although the music was good, I have to confess that I was a little distracted by what seemed to be rather arrogant attitude on the part of singer Ashley Hinton. I've been assured that's he's not really like that, but I have to confess I don't really remember much about the music, as I just kept getting annoyed with the cockiness. I can say it was good in my humble opinion, but I'm afraid I just can't give any more details. Ashley did around eight songs by himself, and then was joined by guitarist Blair McPhee for another couple.

REVIEW: Sleepy Demons

2007-07-02T18:02:00.000+12:00

THURSDAY 28TH JUNE
HAPPY
THE SLEEPY DEMONS
Words and Photo's by Charlette Hannah

Jake Walwyn and Jonathan McArthur

Jake

Jonathan

Jake, Jonathan, Hans Weston, Jim Gilbert

You wouldn't have guessed this was the Sleepy Demons' debut gig if you didn't know. The alternative pop/rock band have staggeringly good songs, bringing to mind Radiohead, Muse, and other such melodic rock bands.

Frontman Jonathan McArthur, songwriter extraordinaire, has a smooth and tuneful voice. Although he sometimes got lost in the mix when the rockier songs were played, he really shone in the more mellow ones. A better mix could fix all that and allow him to shine all the time!

Each musician stands out, from Jake's sometimes whimsical, sometimes rocking guitar, and Jim's strong bass lines. I might be a little biased, but the drummer Hans had a wide variety of percussion styles, and each matched with the song perfectly.

The reason Sleepy Demons really stands out is the solid musicality of the songs. They really are top quality, and I highly recommend these guys. They're playing Wednesday 11th July at Bodega - see you there!

GIGS: 5th - 11th July

2007-07-02T14:38:00.000+12:00

THURSDAY 5TH JULY

- San Francisco Bathhouse
The Bleeders, Antagonist, Full Nelson. R18 $15 8PM.

- Bar Bodega
The Have, The Dukes, Fighting The Shakes, Tommy Ill. 8pm $10 presales from Ticketek.

- Sandwiches
The Taliband, Harbour City Electric. 10pm.

- Subnine
Matt Holleman, Rikki Doolan, Shaun K Anderson, Kathryn Baker. $5 9pm.

- Tupelo
The Moon Whispers. 9.30pm Koha entry.

- Happy
The Nigel Patterson Trio

FRIDAY 6TH JULY

- Old Studio 9
Rubix Cuba (early show before Bodega later), Single Strand, Tender Groove, Cross Eyed Mary. $5 7pm All Ages.

- Bar Bodega
Rubix Cuba, The Offbeats. $10 10pm.

- Valve
Fallen Order, Agent, The Alpha Shift. R18.

- Happy
The Ramps, The Randoms. 10pm.

- Flashbacks Bar and Grill
Masters of Metal feat. Magnum Opus.

- The Adelaide
Neckstretchers, Man Alone, Highlords.

- Happy
Pumice, Sunken. 8pm.

SATURDAY 7TH JULY

- Old Studio 9
The Randoms, The Stomps, The Lucky Strikes. $5 8pm All Ages.

- San Francisco Bathhouse
dDub, Pacific Bass Culture. 8pm.

- The Adelaide
Plastic Kitchen.

- Sandwiches
Electroluxxe, Samari, Perspex, Techead, Rex, D'Nation, Moneytree. Midnight. $15 on door, $10 with active card.

SUNDAY 8TH JULY

?? Are YOU playing? Remember to send your gigs through to wellingtonlivemusic@hotmail.com to have it posted here!

MONDAY 9TH JULY

??

TUESDAY 10TH JULY

-Bar Bodega
Beats and Bubbles feat. Johnathon Crayford.

- Vic Uni
Rubix Cuba.

- Matterhorn
Beatnik feat. Lisa Tomlins, Moana Ete. 9pm Koha.

WEDNESDAY 11TH JULY

- Bar Bodega, Room 101
Sleepy Demons, Charlette Hannah, Fanucman. $5 8pm.

- Southern Cross
Iva Lamkum Band. 10pm Free.

- San Francisco Bathhouse
Acoustic Lounge - Tony MacIver, Joe Ryan, Clint Meech. 6-8pm Free.

OPPORTUNITY: Radio Active 89FM

2007-07-02T14:27:00.000+12:00

Radio Active 89FM presents $20K FCKN@! where we get to give away $20,000
worth of advertising to some lucky musical bastards at the beginning of
their careers.
Emerging musicians, DJs and promoters that will be performing or releasingan album in Wellington during August 2007 are eligible. You can be from
anywhere in Aotearoa, of course, just as long as you are doing your creative stuff in Wellington during August 2007.
http://www.radioactive.fm/onelove.htm

Rumble in The Jungle deadline Jul 27
NZ's annual drum and bass DJ competition
http://www.rumblejungle.co.nz

- Thanks to Karen Q Temple for these!

OPPORTUNITY: Sunset Records/Voodoo Music Studio

2007-07-02T14:22:00.000+12:00

Sunset Records / Voodoo Music Studio is on the look again for talented
singer song writers.
If you think you have got what it takes to have your songs recorded and
marketed to a professional level, contact
voodoomstudio@hotmail.com.
They say: "Please note we are looking for serious people only who understand what it
takes to be apart of a record label. The contract is for 9 months for a 8
song album mixed and mastered posters and other materials are given etc..
Please also note to cover recording costs there is a cost of approx $40 a
week..."
They are based in Christchurch.

REVIEW: The Children of Underground Lair

2007-06-28T16:09:00.000+12:00

WEDNESDAY 27TH JUNE
BAR BODEGA
Words and Photos by Charlette Hannah

ALBERT WILLIAMS

Albert Williams was the first act of the night at Bodega on Wednesday. He started off humbly and then proceeded to absolute blow me away. With his husky, gentle voice, he lulled me into a false sense of daydreaming, and then really let go. The dynamics and absolute control over his voice and guitaring was spellbinding. From a heartfelt cover of Pink Floyd's Wish You Were Here he then sang a knockout version of Joni Mitchell's Woodstock. He made the songs his own, which I do not say lightly, as often when that phrase is used it's a nice way of saying they didn't do such a good job. Not in this case. I would imagine Joni would be quite pleased to hear the heights her song had reached. I was wholeheartedly won over and impressed with Albert's (too-short) set.

RIKKI DOOLAN

Second up was Rikki Doolan, who I actually came across busking earlier that night. (Photo below). Rikki has a cruisy style and a great voice. His songs are down to earth and very easy to listen to. He started with a song about working for 'the man', followed by one about crippling debt, and a sweet and charming song called 'Kiwi Girl'. Rikki is very natural on stage and I was impressed with the calibre of his songs. I happen to know he's currently forming a band, so check out Rikki's MySpace if you're interested!

BENJAMIN EMMANUEL

Unfortunately for me, the pressures of work (i.e getting up early in the morning) meant that I didn't stay for the whole of Ben's set, but I wanted to post these photo's. What I did hear was a well structured song with interesting melodies. Ben has a great voice, although his guitar playing seemed little lacking. However as I didn't stay for the whole set it's hard to tell.

Spotted Busking: Rikki Doolan, Cuba St

I have only admiration for any hardy soul who braves the icy chill on Wellington streets to serenade us in the evening.

PHOTOS: Peter Baillie / The Moon Whispers

2007-06-28T14:48:00.000+12:00

SAN FRANCISCO BATHHOUSE
WEDNESDAY 27TH JUNE
Words and Photos by Charlette Hannah

PETER BAILLIE

Peter Baillie

Peter Baillie, the esteemed master of Acoustic Lounge, took the stage on Wednesday for an entertaining slot. I've known Peter since I first moved to Wellington, and this is, incredibly, the first time I've seen him play. Peter has strong songs, and a very entertaining stage manner. From the jokes masquerading as stories between songs, to his stories of sexual frustration and wanting to ruin someones day. Don't get the wrong idea though, Peter's a nice guy!

THE MOON WHISPERS

Bruce McNaught, Elisa Di Napoli

Jane Pierard

The Moon Whispers took to the stage at Acoustic Lounge after Peter, with their unusual line up of guitar, cello and flute. Describing their music as 'psycho-noir', singer Elisa launched into one of her favourite songs. The music is beautiful and eerie, with the cello providing a deep undertone, and the flute floating over the top. Unfortunately I had to dash and didn't see the whole set, but I will definitely be looking out for more gigs from The Moon Whispers.

GIGS: 28th June - 4th July

2007-06-25T12:10:00.000+12:00

THURSDAY 28TH JUNE

-Happy
Sleepy Demons, Canadia, Tim Knauf. 8pm $5.

- Bodega
Das Ben, Kereoke Taxi, Smelter. 9.30pm.

-Valve
Death Metal - Select and Disect, Morte Vida, Belligerance. 8pm.

- Tupelo
Nine Signals. 9pm $3.

FRIDAY 29TH JUNE

-Old Studio 9
Vatikan, Select and Disect, Beligerance. 8pm $5.

- Sandwiches
Spartacus R, Ryan Prebble, DJ Daimon, Rosco, Jake Silverbeat, Takas. $10.

- Havana
Good foot.

- Happy
Matthew Pixie Pickering, Brad Taylor, Jessie James. 8pm $5.
Grayson Gilmour, Date With Doom, Albert Williams. 10pm $10.

- Valve
Nine Signals, Magnum Opus, Malegra, Riverblind & Alpha Noise. 9.30pm $5.

- San Francisco Bathhouse
Gridlok, Conspiracy, Flaw, Snax, Ruckus, Evil, Narcosia, Mana, AG. 8pm

SATURDAY 30TH JUNE

-Old Studio 9
The Tweeks, The Philosophers, Killjoy, Monoxise Blonde. 8pm $5. All ages.

-Valve
Punk Show - Miss Conduct, We Dunno. 10pm.

- Happy
Lauren Thomson, Shaun K Anderson, Achilles Botes. 9pm $8.

- Curve Bar
Enter The Blue EP Release. Vanadis, Mr Smith, DDog, Indeks. 11pm $5.

- Valve
We Dunno, Cop Car. 6pm All Ages.

- Southern Cross
The Aviators. Free.

SUNDAY 1ST JULY

-Old Studio 9
Acoustic Afternoon. 2 - 5pm. All ages.

MONDAY 2ND JULY

?? Stay at home and have a cuppa?

TUESDAY 3RD JULY

- Valve
Seizure Drum n Bass - NAR/CO/SIA, Evil, Mc Sig'le. 10pm.

WEDNESDAY 4TH JULY

- San Francisco Bathhouse
Acoustic Lounge. F8, Barefoot In The Sand, Mannekin Thoughts. "American Independence Day! Get your fix of patriotic songs... May not be patriotic, but they WILL be songs!" 6pm. Free.

BAND REVIEW: Niko Ne Zna

2007-06-25T11:24:00.000+12:00

NIKO NE ZNA
Wednesday 20 June
By Lucy Wyatt

Isn’t being totally detached from your everyday reality something that appeals to most? Listening to Niko Ne Zna allows for exactly that to happen. It’s easy to forget where you are when you listen to these hypnotic melodies. It’s like being dropped amongst the hot and spicy lands of a country far away - to a place where you can free yourself with these infectious and wild beats that take their influence from the gypsy-soaked Balkan States.

The creative talents that make up Niko Ne Zna are 7 artists who are also members of Zirkus, Ginger Brown, The Black Seeds, The Offbeats and the Porirua Brass Band. Their passionate imaginations and freethinking creativity results in an extravagant party band that unearths the folk treasures of afar. The selection of trumpets, sax, trombone, accordion, tuba, drums and percussion pull together to create an energetic and much appreciated rhythm. Enhancing the freedom within this music, come the laughs, shrieks and general cheers from the band. The audience comes away from a gig feeling thoroughly entertained.

Originally a covers band (comically belting out such tracks as the James Bond theme tune), Niko Ne Zna’s actual tracks are masterfully produced. Often beginning with a methodic build up, then breaking into a joyous ruckus. The folk come jazzy vibe encourages even the shyest dancer to get involved – no doubt with the addition of a cheeky grin. Niko Ne Zna promises a truly inspiring show. Get immersed in the rich history of the other side of the world. Brush away your serious side, lift up your jug of beer and have a proper dance. You can always have a sing-along – If you speak Serbian.

NEWS: Blindspott call it quits

2007-06-21T15:03:00.000+12:00

By Charlette Hannah

For ten years Blindspott have been leading the New Zealand metal music scene, and now the boys are calling it quits.

Blindspott have had an impressive amount of radio play for a metal band. Thanks to fan's requests, radio stations were forced to play the songs. This set the boys off with a major label bidding war, two number one albums, triple platinum sales, a number one airplay single, countless sold out tours, and overseas adventures in South East Asia, Japan, America and Australia.

Marcus and Shelton are moving to the UK with their new band, Damian is focusing on a solo music project and his design career, while Dave will continue to tour international bands through NZ.

However all is not lost. If you're a fan of Blindspott, they are doing a New Zealand farewell tour. They'll be in Wellington on Friday 10th August at Union Hall.

Visit their MySpace for more dates.

OPPORTUNITY: Taste of Chaos

2007-06-21T14:56:00.000+12:00

If you want to play at the Taste of Chaos this October, act quick, as C4 is giving one NZ band the chance to grace the stage.

You'll play alongside the The Used, Rise Against, Aiden, Escape The Fate, The Bled and Gallows.

You'll also be included on the Taste of Chaos album released throughout New Zealand and Australia. It's a great opportunity to get your music out there to thousands of ears.

C4 are also giving you a couple of days recording at Auckland's York Street studios.

If you're interested, send your demo, band bio, full contact details and photo to:

TASTE OF CHAOS SUPPORT
C4
Private Bag 92624
Symonds Street
Auckland

Entries close Friday 13th of July.

Click here for more info.

GIGS: 20th - 27th June

2007-06-20T13:31:00.000+12:00

Here's a list of some of the gigs on from today til next Wednesday. Starting from next week I will post the gigs from Thursday -Wednesday on the Monday so you have time to decide!

WEDNESDAY 20TH JUNE

- Southern Cross
Iva Lamkum. 9:30pm. Free.

- Happy
Shoeb Ahmad (Aus), Cookie Brooklyn, Puncutre Lung, Ben Spiers. 8pm.

- San Francisco Bathhouse
Acoustic Lounge: Russell Self, Bill Hickman, Marleybone Station. 6pm. Free.

THURSDAY 21ST JUNE

- Hope Bros
Don McGlashan with The Seven Sisters, Luxury Liner. 8pm. Tickets at Real Groovy or venue.

- The Adelaide
Streetwise Scarlet, Alex The Kid. 8.30pm R18 $10.

- San Francisco Bathhouse
The Draft, Cobra Khan, Ryan Thomas, Skaface Claw. R18. Tickets $30 from Ticketek, Real Groovy.

- Valve
This City Sunrise, Carpithagian Solution, Donatello, Fighting The Shakes. 9pm $5.

FRIDAY 22ND JUNE

- San Francisco Bathhouse
Cortina Fest: Cortina, Cherry's Gemstones, Golden Axe, Knife Fight, Barge, Hot Swiss Mistress, DJ Dancing Steve, Thought Creature, Disasteradio, Pumice. Doors 7pm, start 8pm. Tickets $15/$20 presales from Real Groovy and Cosmic Corner, $20/$25 on the night.

- Sandwiches
State of Mind, Trei, DDOG. 10pm. Tickets $20 from venue, DMC and Real Groovy.

- Old Studio 9
The Lucky Strikes, The Philosophers, The Pinkertons, Misguided Youth. All ages, 7pm, $5.

- Happpy
Carthiginian Solution, Dial, Akaname.

-Subnine (Attic Lounge)
Mr Smith, Narkotix, Subsonik, JDM.

SATURDAY 23RD JUNE

-Valve
Blood Duster, Slave Cadaver, Backyard Burial, Sadius Fiend. R18 8pm. Tickets $25 presales from Real Groovy.

- San Francisco Bathhouse
Grand Prix

- Old Studio 9
Killjoy, The Mickeys, Artemis, Scarlet Fever. 7.30pm All Ages $5.

-Mighty Mighty
Labretta Suede and the Motel Six, The Crypt Kicker 3. 8pm

- The Adelaide
Not Quite Right, Ritalin, Nonetheless. R18

- The Opera House
Evermore, Thirsty Merc, The Electric Confectionaries. Tickets $40.50 presales from Ticketek, Real Groovy and Ticket Direct. All Ages 7pm.

- Matterhorn
Ginger Brown. 12am. Free.

TUESDAY 26TH JUNE

-Havana
Carlos Navarette.

WEDNESDAY 27TH JUNE

- Valve
Kill The Fake Patient, Deal, This City Sunrise.

- Havana
Johnathon Crayford Trio.

- San Francisco Bathhouse
Acoustic Lounge: The Moon Whispers, The Gracious Deviants, Tommy Pickett. 6pm. Free.

REVIEW: The Aviators

2007-06-18T16:00:00.000+12:00

THE AVIATORS
MIGHTY MIGHTY
SATURDAY 16 JUNE
Review and Photo's By Charlette Hannah

Paddy Breakley on guitar

David McGurk on drums

Kane Sherwood on guitar

James Mason, Dave Brennan, Simon Love and Kane Sherwood

Paddy Breakley, Ned Worboys, James Mason and Dave Brennan

James on Sax and Dave on Trombone

Mighty Mighty on Saturday was thick with ‘funk, crunk and grime’ courtesy of The Aviators. The funk is obvious – these boys are so full of it you could imagine them dancing themselves off the edge of the building and on the way down too, where they would get up and just keep on dancing. Or maybe it’s just me. The grime became clear about two songs into the set, when sweat was dripping down my face, and I was hardly even dancing! The venue was so packed out there was hardly room to move, and even less to breathe, but it was all worth it. (Someone’s going to have to explain ‘crunk’ to me though.)

The gig marked the release of The Aviators first album (following on from their EP in 2004) and the turnout proved how popular the band has become since they first started as a five piece way back in the day. Now an eight piece, The Aviators are even tighter than when I first saw them at Southern Cross a few months back, and they were tight then. It’s hard to tell how much is playing a song and how much is jamming, but I don’t think it really matters, as the result is good.

Each musician stands out, while contributing to the overall sound, from Simon Love’s wicked bass lines, to Paddy Breakley’s interesting and controlled guitaring. Drummer David McGurk is brilliantly creative with those sticks. Singer Ned Worboys has a smooth slick voice, and the songs are quality.

The whole band is great to watch, in their suits, dancing and communicating with each other. It’s good to see a band dress nicely. I figure, if you expect people to come along and listen to/watch you, it’s important to respect their eyes. Also, The Aviators are never standing still. That’s also an important ingredient in a good live show.

If you missed out, you really missed out. You can still get their album though, and they seem to have quite regular gigs at the Southern Cross, so head along next time you see a poster. Also, I recommend checking out the ‘band’ section on their website below, as it contains a rather amusing description of each member.

www.theaviators.co.nz

REVIEW: Ginger Brown

2007-06-14T10:54:00.000+12:00

GINGER BROWN
MONDAY 11 JUNE
By Lucy Wyatt

Picture a world of 60’s psychedelia fused with dixie, 50’s rock n roll, carnival, layered over with modern rock, this is the enchanting, quirky world of Ginger Brown. Lawrence Taula (organ/vocals) and Joe Dobson (drums), make up the eclectic duo that are Ginger Brown.

Taula and Dobson are onto something new with their compelling, raw style resulting in an eccentric musical experience. Their combined energy is unrelenting. It’s intense. Your auditory senses are repeatedly satisfied as Ginger Brown successfully reaches that ever-elusive dynamic climax. There’s nothing predictable here. The tracks are tight and strong. Each possesses an original identity.

There’s no shortage on talent. Their core vibe is an influence of both experience and risk. They want to do what no one else is doing. The fluid sound of Tuala’s Hammond organ shapes each track. Dobson’s confidence is truly evident on the drums. Together they inject a solid structure to their music.

“This Ship” is a noble track with a catchy tone that disguises a myriad of levels. “Madison Garden” with its vivacious energy is a true crowd pleaser. It’s hard not to dance to this one. Another track that warrants an animated jig is “Kiss Me Goodnight”. This is where Tuala’s voice demonstrates his exceptional range.

The poetic lyrics are often narrative and sometimes cryptic. The speed of the tracks ranges from frantic to a serene calm. There are certainly plenty of surprises. “Boston Dance” is an instrumental delight, demonstrating Ginger Brown’s depth and their fearless talent. Their live shows have left crowds enlightened and thoroughly entertained.

There is no doubt in my mind that Ginger Brown’s unique sound is responsible for their ever-increasing fan base, which like them, will only continue to expertly thrive. Ginger Brown takes me on an intriguing voyage. Each of their tracks is like a new fix released at a medicated rate – they keep you wanting more.

Ginger Brown Wellington Tour Dates.

23.06.07 12am @ The Matterhorn, Wellington

29.06.07 8pm @ Tupelo, Wellington

27.07.07 10pm @ Bodega, Wellington

04.08.07 12am @ The Matterhorn, Wellington

REVIEW: Katchafire

2007-06-14T10:50:00.000+12:00

KATCHAFIRE
SAN FRANCISCO BATHHOUSE
SATURDAY 9 JUNE
By Lucy Wyatt

Katchafire left The San Francisco Bathhouse well and truly smoking last weekend. Their extreme energy was matched by the crowd’s intense respect for New Zealand’s hottest roots reggae band. The well-heated euphoric audience sang passionately, they danced and skanked along to an incredible 3-hour show. To the crowds delight they covered many old favourites like “Colour Me Life” and “Seriously”. The new stuff such as the track “Mr Flava” was greeted enthusiastically.

Formed 10 years ago, this eight-piece band is of Maori descent including 2 generations of 1 family. Grenville Bell founded the band in 1997, originally as a Bob Marley tribute band, now accompanied on stage by his 2 sons, Logan (guitar and vocals) and Jordan (drums). With 2 highly acclaimed albums “Revival”(2003) and “Slow Burning” (2005), and a third to be released this month, “Say What You’re Thinking”, it’s safe to say that these boys are very much on fire.

Saturday’s sell-out gig is definitely reflective of past album sales. (“Slow Burning”, featured “Giddy Up”, the highest selling single of 2003). Subsequently, Katchafire’s reputation on stage is fast becoming legendary throughout New Zealand. I doubt it presumptuous to suggest they are a household name. Such popularity is arguably due to their dedication and desire to tour. They are an accessible band – easy to get to, easy to get down to.

Katchafire gets inside your soul and keeps on burning brightly within. Exceptional vocals, talented writing and sensual depth ensure that nothing can stop the flame. Where there’s smoke there’s definitely fire. Katchafire are now on a mission to raise the spirit of New Zealand to a global level. Yet another world tour is about to begin. Surely then this joyous and harmonious sound will conquer the world.

REVIEW: Adi Dick

2007-06-14T10:43:00.000+12:00

ADI DICK
OUR PLACE ALBUM RELEASE
SAN FRANCISCO BATHHOUSE
MONDAY 7 MAY
By Lucy Wyatt

Will the waves of beautiful music ever calm in Wellington. The San Francisco Bathhouse was cooking up a storm with the launch of Adi Dick’s stunning debut album Our Place. Receiving a very snug embrace, the crowd were united in their appreciation. There were plenty of nodding heads of approval with a mellow but uplifting atmosphere, proving that Adi had hit the right note. Breaking away from his more recent position within his 3-piece band Son Of Puha and his truly established status with Fly My Pretties his strong influences of blues, roots and jazz shine brightly through along with his dedication to his beloved guitar.

Our Place grasps a sound so real it’s almost 3 dimensional, creating a warmth and depth that is sure to capture many hearts. This groundbreaking album envelops many different emotions, creating a strong sense of origin and pride. The fusional sound is a melting pot of genres that is so unique to New Zealand’s homegrown music. Adi’s heartfelt lyrics and distinctive voice reaches out and touches you with each song having it’s own fresh identity and energy.

Opening the album with Get Out, the wonderfully familiar track from The Return of Fly My Pretties, Adi sets the vibe nicely. Laidback and honest the tracks continue at a steady pace, perhaps the most down tempo being Drifting. There is a perpetual soulful vibe throughout the album, covering personal memories from his past and current passions, especially in the track Our Place. The influences are many, ranging from his devotion to hip-hop to R&B, producing a sound that has a positive direction. In I Will Not Go the search for who he is, is portrayed clearly, now that he has found his voice and place in the world, both personally and musically.

GIGS: Ritalin, Tommy Pickett and more

2007-06-14T10:33:00.001+12:00

THURSDAY 14TH JUNE

-Happy 8pm $5
Charlette Hannah, Fanuc Man, Jeremy Brick, The Ramps

-Bodega 9pm Koha
Matthew Pixie Pickering, Dave Kempton

FRIDAY 15TH JUNE

- Old Studio 9 (All Ages)
Ritalin, Not Quite Right, Whispers for Warning, The Lucky Strikes

SATURDAY 16TH JUNE

-Mighty Mighty
The Aviators CD release party

-Subnine
The Offbeats, Skaface Claw, Freddy Fudd Pucker and more

SUNDAY 17TH JUNE

-Bodega
Rikki Doolan, Matt Holliman, Shaun K Anderson

MONDAY 18TH JUNE

-Southern Cross
'Acoustic Pioneer'
Tommy Pickett

I play tonight

2007-06-13T14:20:00.000+12:00

Now for some shameless self promotion. Remember if you send me your gigs I will promote thme too, I just don't have time to go and look on everyone's myspace site or email everyone to ask.

WEDNESDAY 13 JUNE

-San Francisco Bathhouse
Charlette Hannah, Stephanie Casey and Kerry Logan. 6-8pm. Free!

THURSDAY 14 JUNE

-Happy
Wellington Music and Artists Social Club
Charlette Hannah, Fanuc Man, The Ramps, Jeremy Brick. 8pm. $5

OPPORTUNITY: Band manager wanted

2007-06-01T14:14:00.000+12:00

test